"..to portray the love and the unspoken truths of the world.."
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recent artwork comment (work of Hillel Kagan): OK, so I got that completely wrong again. It's not even remotely about peace, and you probably had no intent of any political commentary. |
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2nd recent artwork comment (work of Hillel Kagan): Don't be supposin' so fast there young feller, I saw what you wrote but have been laid low with the flu and not up to responding. If I can bring myself to start painting again I'll start a new slog and although both of those thoughts fill me with dread I'll do it for you. I see you're still trying to get artists to talk and for the most part still failing, I admire your sporadic fortitude. |
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3rd recent artwork comment (work of Hillel Kagan): Well, I suppose the ensuing silence to your question is your answer. To me, this looks like Menachim Begin and Anwar Sadat or Hafez al-Assad (I remember his photo everywhere I went in Damascus many years ago, though I'm not sure he ever met with Begin) at some peace accord meeting photo opportunity as is the title of the work. I find it interesting in relation to your other suited figures who are instead bizarrely wrestling in middle-class domestic environments. I'm expecting these two to get up and do the same. Maybe your painting is to fix the moment that they've gotten this far, and not to go and blow it?[Goto..] |
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4th recent artwork comment (work of Valerie Brennan): Thanks for your reply over at LINK. So this series is inspired by your nomadic city-to-city wanderings, all works acrylic on paper to allow for immediate transformation of hotel room to studio space. I notice you don't much care to go into detail after that. Do you prefer not to comment on each individual piece, and allow the public to appraise the body of the full series? |
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5th recent artwork comment (work of Tom Fitzgerald): Rather more sexual abuse than harassment I'd say. A witty testimony to the corruption of all-too-recent absolute authority. Thanks for uploading this work Tom. I like it better the more I look at it. I love the understated lyrical lines and the iconographic imagery stolen directly from source. And slate? I've never seen that used before. As a material it looks beautifully solemn. How difficult is it to work with? |
recent forum comment : Florence Biennale 2011 |
2nd recent forum comment : Hello Dennis - I enjoyed your blog very much (LINK). It reminded me when I was a young artist living in an old abandoned children's hospital on the canal in Dublin. Poor as a church mouse, but seemingly happy in an odd sort of way. Did you write the story, or was it done by the author you mention? The drawings and paintings you did to accompany the text are good. It's interesting that you've found this as a means to drive you to make [GoTo..] |
3rd recent forum comment : as a painter its pretty difficult to get my work in the general view of the public- I mean ok, I can get an exhibition at a high street gallery - but thats just selling stuff that I've kept to long-But to show anything honest and real is more difficult- Uusally the galleries want images that'match' their clients- whatever the hell that means.- So it came as a refreshing that new idea from an Author fell into my lap- |
4th recent forum comment : 15th APRIL 2011 @ SHE-D - BREIZHEIRE |
5th recent forum comment : Hello Eli... |
4 canvases, artist JP Delaney | 'Gobleshya' as they say here in Ireland, you never fail to make me laugh! [GoTo..] |
Notice To Quit, artist JP Delaney | You're right - chance, happenstance, the unexpected, whatever you like to call it, I'm always on the lookout for. |
Notice To Quit, artist JP Delaney | I'm still hard pressed to see why you seem to need to apply your painting process to the sculptures. The illusionist planes and forms of the painted surface take away from the elegant planes and forms of the sculpture itself. If you had seen it at the time and decided to explore the suggestion of a prone figure hit by a sniper I could see the use of paint as a funky way of furthering and enhancing that vision. [GoTo..] |
Intimate Moments, artist Hillel Kagan | Feel like leading by example (again)? I've set the default order of studio logs to latest update date. Doing so, I realize I'm the only one to have used it last year. Anyway, you're up there with me too. In the next day or so, I'll start a new SLOG, and so I hope I can count on your periodic intervention? (Naturally, it'd be even better if you'd consider starting one yourself, Mister Kagan) [GoTo..] |
El Club de Madrid in Syros, Greece, artist Maria Xagorari | Well, from what I remember the disaster of ap in Trapani to have been, at least some good seems to have come from it (as indicated in your SLOG). Maybe I should get onto Antonio for a second attempt? - but a second attempt a lot more controlled (and financed up front - as I don't have any more money to underwrite costs) this time. Actually I'd be extremely reluctant to do anything like that again. However, it does appear to be important for artists to come together for some sort of collective [GoTo..] |
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30th OCTOBER 2009 @ THE SHED – REPTILE CABARET |
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