| Author | Comments |
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Hillel Kagan |
This is a magnificent painting and truly the work of a master. Certainly one of the world's great artworks, I count myself amongst those who believe it to be the greatest. No doubt it resides in the ..goto |
| No apologies necessary, j.p. It's all part of the dialogue, but I think my point was made. We all have a different take on this thing we call art and that makes life interesting.For instance, Hanjo's ..goto | |
| I know you've been concentrating more and more on your three dimensional works of late and even your earlier paintings are kind of like studies for sculpture. When I look at either your paintings or s ..goto | |
| A good buddy of mine is/was a major enthusiast of the the thoroughbred horse. His enthusiasm, so fo genuine and passionate caused me a mere purveyor in he graphic arts to employ my skills and help ..goto | |
| I idealized it. I'm a parquet freak. ..goto | |
| A good buddy of mine is/was a major enthusiast of the the thoroughbred horse. His enthusiasm, so fully genuinely passionate caused me a mere purveyor in the graphic arts to employ my skills and hel ..goto | |
| I really like your paintings. They have a kind of gravitas. Where do get your ideas from? There seems to be some kind of theme yet I can't put my finger on it. Do you work from life or are these imaga ..goto | |
| Me like it. Stuff is really three dimensional. You can look at it from all angles and I think its probably interesting. The metal wire and jute stretched over it probably slows you down. That's why I' ..goto | |
| Thanks for the comments J.P. When I get a chance I'll post some of my earlier, more abstract stuff. The funny thing is beneath the surface of them there's all this very resolved imagery that drove me ..goto | |
| Wow! My work really seems to open some raw nerve in you. I let those earlier remarks about "figurative baggage", tricks, talent etc. go before because I preferred to think you weren't trying to goad m ..goto | |
| This one here really looks impressive. I wish I could see it larger. This damn computor of mine won't let me click it up. Beautiful colour, form and depth its got that very early and very late Guston ..goto | |
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I attempt to activate the whole canvas and give equal weight to what you might refer to as the positve and negative areas. The semi circles, etc are not a decorative contrivance. I actually see t ..goto |
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| I like the feeling in all three of your photos. Do you stage manage the settings (I'm asssuming you do) or are they actual moments you capture? ..goto | |
| You make some valid points and good suggestions that I will follow up on and I thank you for that. The circular forms don't come from Bacon. Actually I took Cezanne's advice of the cube, cylinder, con ..goto | |
| Gentlemen, sorry for the delay in my response, I've been somewhat under the weather. Delaney, I appreciate your attempts to rattle my cage and bring out the best in my work. A more direct and urgently ..goto | |
| Hey Delaney, you've got this strangely, lovely, constructive thing going on in your paintings. You're a painter and sculptor. That's a rare thing and you're damn good. I'd like to see the real work. S ..goto | |
| Really joyful work. You must be a really happy guy or an alcaholic. I like all your images. ..goto | |
| I never could read Joyce. I tried but was defeated. Your work has inspired me to go back and give it another go. You are obviously a very literary man and your work is very fragile and delicate. I th ..goto | |
| Actually JP, if there's any tension in my work at all and I hope there is, it comes from that very conflict of resolving the figaritive with the abstract. I think all art, at least good art is an abst ..goto | |
| I Like this painting. Its got a strong Spanish feeling with the suggestion of the bullring and all the lovely red (blood). Picasso was a bull. He was always being phogrographed half naked with his gia ..goto | |
| This is truly a stupendous work. ..goto | |
| I'm always interested in how figurative artists use the camera as a tool. I think you make extremely creative use of it. From what I can see here your work is not only skillfully executed but very gra ..goto | |
| Not a clue. My earlier comment was in jest. You may have noticed that I have slightly warped sense of humour. Actually at the time, I was just experimenting to see how this comment box works. ..goto | |
| Hanjo all your points are well taken, sorry for my slight confusion and I definitely don't want to turn this into a book so I think we should end this one here. Thanks for a fruitful discussion. ..goto | |
| I like your work Antonio. From what I can see of it here and I can't really see much of the surface quality. It doesn't look like your run of the mill photo realist stuff although obviously you work f ..goto | |
| I don't know who this john-paul is but any more disparaging remarks about my dear old pa of blessed memory (had to resort to tickling opponents to win) and I'm coming over to sunny Italy to knock his ..goto | |
| Interesting? ..goto | |
| Really impressive. ..goto | |
| You have an inventory of forms you use. You can pull them out of your hat and produce mural sized walls of the stuff. The fact that they'll be whitewashed the next day doesn't bother you because you h ..goto | |
| There's a time lapse between what you see and what you perceive, just as there's a time lapse between the right and left eyes as they adjust. These slight physiological disturbances are a fact. That's ..goto | |
| Thanks for your comments Hilary. What you describe is basically how I feel most of the time. Maybe it's the booze. But in any case I'm glad you like it. ..goto | |
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J-P, your enthusiasm for this piece surprised me. As I told you I was convalescing and found it difficult to paint standing and I was looking for something I could do while seated. I had this box ..goto |
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| You're obviously a person of great intelligence and taste and I bid you welcome to the Art Process site. Seriously though, I do appreciate your kind comments. ..goto | |
| I think you're right to take the attitude you do and you put it well. If we only look to ourselves in the work of others we would never learn anything new. Obviously we all attach ourselves to differe ..goto | |
| Thanks Teresa. Man this site is really happenning. I can't keep up with all the new artists. I just checked out your portfolio and was truly knocked out. ..goto | |
| I love it. All the views. Great work. ..goto | |
| This one has a particularly special meaning for me. I love to iron. ..goto | |
| I like the paintings very much. Post some information about yourself. If you live in Toronto maybe we can get together and have a smoke. ..goto | |
| Maybe I told you before or maybe not that these struggling figure paintings arose from my father having been an amateur wrestler. He was also an inveterate junk collector. Amongst his crap I discovere ..goto | |
| That'd great Hanjo, I look forward to seeing them. ..goto | |
| I like all your work a lot. I've seen it on site before and have been meaning to comment. You're a very young fellow and the work is fresh and interesting. So take a word of advice from an old geezer. ..goto | |
| Well Hanjo, I think it's a very interesting work. Certainly your most recent work is much stronger and more masterful and you seem to be on the top of your game however I do like this one too, archec ..goto | |
| Milena, I really do like this stuff and not just because I'm a smoking enthusiast and suicidal person in general (although at my age and given my lifelong bad habits, I don't think about it much anymo ..goto | |
| Somewhere on these comment pages, I don't recall whose work it was Mr. Delaney talks about seeking that one great memorable image as a worthy cause unto itself (I'm paraphrasing). A friend of mine, th ..goto | |
| I was just reading this over and I must have "architecture" on my mind. Apologies, the phrase my friend John M. says is "The real Estate of The Mind".Which makes at least some sort of sense. ..goto | |
| This one just caught my eye. Very interesting and dynamic figuration. ..goto | |
| I've stopped and looked at this one many times. I don't know what it is about it that I find so intriguing. Some kind of great brooding and monumental menace. Maybe you can explain it. I find much of ..goto | |
| I just want to say that you're fantastic. I stop and look at everything you do and you do nothing twice, Truly creative wok graphically and artiscally. You don't seem hung up on any particular tradit ..goto | |
| I like your work very much. I think this one is amongst the best in your portfolio. I love the light and the ambiguity of the nude male figure seated in the wicker chair. A powerful composition and ve ..goto | |
| I like it. Sure its a little Freudian (Lucien that is) but in all honesty and of course this is only my opinion I prefer it to your more recent efforts which for me (although interesting) are a bit to ..goto | |
| Maria, the reason I asked about whether or not you had worked from a photo was not from some kind of snobbery about painting from life being superior to painting from photos. As one who paints from a ..goto | |
| Its a classic conflict. Cezanne, as we know from his early work yearned to do passionate and expressive work with grand themes however its only when he reconciled himself to simpler aims did he achiev ..goto | |
| I say "innocent" in the sense of trying to eliminate the mind from the seeing process. The mind has the experience of what a thing is like. It is possible to see just the abstract forms and shapes and ..goto | |
| Extremely fascinating work. I like the sculptures in your portfolio as well. ..goto | |
| I always stop to look at your paintings. I'd like to comment but I don't know what to say. I hate to just say I love your stuff but that about sums it up. There's something very human, both comical an ..goto | |
| I.ve been meaning to comment on Hanjo's latest series of paintings and I came across this beautiful conversation. So firstly about the paintings, they're all as handsome as ever. I probably wouldn't h ..goto | |
| Maria, I'm not exactly sure what you mean but if It's that I start with abstract form, that's true but I also finish with abstract form. That's the nature of painting even representational or figurati ..goto | |
| Maria I try to forget about the " thingness" of what I am painting and just try to get down the abstract forms of what I am seeing. In the beginning it's just the largest most interesting shapes and ..goto | |
| A very astute observation Mr. Delaney there is indeed a relationship between the two activities and It's something I've given considerable thought to. As in painting I would have loved to be totally ..goto | |
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Hey this is an artist to artist site so who let you in? I agree somewhat with your comment although it's not bombastic enough for my liking. You should know that actors don't cut it here. Isn't th ..goto |
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| Teresa, I just visited your studio log. I love your process. I know you want this work to be seen in conjunction with the other that's not yet complete and I don't want to jinx you but I love this ..goto | |
| Welcome aboard and thanks for the kind words. ..goto | |
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Oh yes I should mention that when I checked out your portfolio I found your work to be very interesting. ..goto |
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| Maria, there's no need for an apology, you should always call them the the way you see them. In any case I'm deeply gratified that you've changed your mind on this one and thank you for your kind word ..goto | |
| Albert this is a truly amusing picture. There's not enough humour in art, it's all so serious, so I thank you for this. You couldn't have done better than to parody Wyeth's famous work, the difference ..goto | |
| Toni Malaqi, my congratulations to you for creating interesting, lively art. I've looked at everything in your portfolio and it's all of interest. I don't know exactly what your up to. I could make re ..goto | |
| I love this big head. Slightly awkward, there's a fragility that's very appealing and a certain haunting quality almost like a death mask. ..goto | |
| Karen, I want to thank you for your comments, it's not the first time you've astounded me with your profound depth of thought and feeling both in your paintings and words. When I first started this se ..goto | |
| Agredece mucho, el es muy bueno de usted decir tan. Tambien mucho gracias a Google por sus herramientas de traduccion. ..goto | |
| So Karen, do me a favour and tell me what I said. I need a good laugh today. ..goto | |
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T makes more sense than most of the stuff I say in English. Thanks Karen! ..goto |
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| Well I've looked at her website and there are some interesting things however I'm not a great lover of Caravaggio or single source lighting arranged for effect in a darkened studio. Movie makers have ..goto | |
| Maria, something's happening. I don't know what it is but I like it. ..goto | |
| Terrific work. Your whole portfolio here is great. ..goto | |
| This is a lovely little painting that I've been looking at for a couple of years now. I've often wondered what is the attraction, is it the sitter herself, for some time I thought it was. Having met y ..goto | |
| Karen I like the new paintings very much. This new portrait is very good. the head and background interacting very nicely... the best "Raul" to date. Mind you his expression, I wouldn't exactly call ..goto | |
| Thanks for all your comments Anne. Which artists from the '30s are you referring to? I'm curious even one example would suffice. ..goto | |
| I do like the spatial aspect of Hopper's work and think I have, from time to time attained a bit of that feeling in my work. In answer to your original question, if it is there it was absolutely unco ..goto | |
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That's very funny, thanks for your comments. The exploded view of the box just happens to turn into a cruciform. I can assure you there was no personal or religious intent. More importantly it's ..goto |
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| Well you've caught me red handed. I've been working my way through the Encyclopedia of Art absorbing and stealing everything I see with the ambition of combining all those thousands and thousands of d ..goto | |
| This is a lovely painting. I can picture it in its true size and it just seems right. From the depths of grief or not, your mindset aside, it feels light and breezy and as though it was executed easil ..goto | |
| A very strong and beautiful painting, I don't understand Karen's words above but I agree totally. ..goto | |
| Well spoken JP however it's very nearly impossible for an individual artist to give an opinion on everything thing he/she sees. We always have an opinion but as so often happens, and you see this qui ..goto | |
| I agree fully with what you've said above Merlin in response to my comment and I especially agree with your last comment and I commend you for sticking your neck out and asking, audaciously for a revi ..goto | |
| We are surrounded and inundated with so much visual imagery, a never ending supply, of course we always have been, at least in nature... turn your head this way or that way and always a new painting ..goto | |
| We are surrounded and inundated with so much visual imagery, a never ending supply, of course we always have been, at least in nature... turn your head this way or that way and always a new painting ..goto | |
| We are surrounded and inundated with so much visual imagery, a never ending supply, of course we always have been, at least in nature... turn your head this way or that way and always a new painting ..goto | |
| It's good, just leave it alone. I hate to let people into my studio when I'm working on something because they invariably say what I've just said to you but I never listen anyway and just keep pluggin ..goto | |
| I've been meaning to ask you this for quite a while what's with this on the wall off the wall thing, as though coming off the wall were some kind of victory or advancement in your personal evolution?< ..goto | |
| There's something about both your "Smithy" paintings that I really enjoy, I meant to comment when I saw the "Big Blue Machine" and I really like this one. You're a terrific colourist as far as I'm con ..goto | |
| Thank you Toto for your comments unfortunately I understand no Italian whatsoever so I'm relying on JP's translation for veracity. And it's in his nature as peacemaker and ambassador of good will to ..goto | |
| I love this piece, a really beautiful and sensuous figurative study. ..goto | |
| Hanjo, narrative or not it's a good solid work and I certainly concur with your reasoning for not uploading any new work without the right to delete them. That's the same reason I will not allow The P ..goto | |
| Is that as in "well done!!!" or just "well!!!" the way Jack Benny used to say it? ..goto | |
| Karen, you got it in one. Without going into who the people are, they're gone from this world now, you're observations are pretty much right on the mark. You've conveyed it much better verbally than I ..goto | |
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This is a really great one and I say that as a long time Crudo admirer. So what's the deal Albert, did you get yourself a hotshot NY dealer as John-Paul seems to say... if so congrats! Tell me abo ..goto |
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| I love these latest paintings, Maria. They're filled with surprise, new form and freedom. Very strong work, they just seem right to me, in conception, painting and scale. You've made a major leap, ..goto | |
| Maria, hold on to that thought, I just have to pack a bag and I'm on my way to the airport. Seriously though, thanks for the nice comments and if you're being truthful about the "hot" thing then I'm v ..goto | |
| Thanks Abby, I appreciate your comments. ..goto | |
| Interesting work and from a fellow Torontonian. Wow! I'm impressed. ..goto | |
| I always stop and look at any of your images I happen upon. They're simply beautiful... all of them very consistent, delicious and interesting. Maybe I commented before, I can't remember, in any case ..goto | |
| Dear Maria, if you keep making one breakthrough after another the whole building's going to collapse. Since that Madrid trip you've been on fire, was it the Rego show or just your El Greco experience ..goto | |
| Sorry I worded that poorly , I was trying to combine a couple of notions. One of them being that your work of late is changing and the other that deconstruction is necessary for reconstruction. For me ..goto | |
| My lesson from Cezanne is different than the way you perceive it but then everyone has there own take. The so called cubists are all very different maybe Leger comes the closest to using that Cezanne ..goto | |
| Thanks for a very good conversation. Having reread your contribution to the Forum I think It's a beautiful piece of writing, I didn't want to respond there because I'd like to see it remain on the hom ..goto | |
| I'll take that as a yes. There was no value judgement in my question, where art is involved there's always imagination at work. Take the work of one of our Art Process colleagues Jeroen Witvliet, if y ..goto | |
| Beautifully said and I certainly agree with all of it just allow me to add a few thoughts on the topic because drawing for me is everything. In my work I really can't differentiate between painting an ..goto | |
| Maestro, although I met you but for a brief moment, I mourn the passing of a fellow artist, especially one so filled with joy and life as yourself. ..goto | |
| Thanks Frederico, I'll take that as a compliment and it's very appreciated. ..goto | |
| Keeping the whole lot open, paintings that are never finished and the impossibility of doing so. Classical forms and an imbibing of art history yet a striving toward new form. How can one produce in a ..goto | |
| Truly a beautiful portrait, even if it is of Hanjo. When are you going to undertake a portrait of me? My only request is it be a full figure, actual size portrait in the nude. Besides for your usual m ..goto | |
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Hi Patrick and welcome to ArtProcess. This a beautiful painting, very loose and open like most of the work in your portfolio. Keeping things open and moving that's the real trick, a painting can ..goto |
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| Thanks Maria, you hit the nail right on the head about the whole perspective thing, I just don't seem able to free myself of my classical training. It's very frustrating, try as I may, I always seem t ..goto | |
| Thanks very much for the compliment and comments Pat. These paintings of the struggling figures were a real "struggle" for me as I had to go against all my instincts, habits and sensibilities to find ..goto | |
| "Managed to persuade me to come to Sicily." Hey I'm a big boy, nobody can force me to do anything I don't want to anymore. The thing is Patrick, if you stick around this site a little bit you may find ..goto | |
| Couldn't agree more j-p and the many comments attest to the spirit of freshness that Patrick's work and presence has already contributed. I don't want to stir things up but it has occurred to me that ..goto | |
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j-p???... alive..... he's a-l-i-i-i-v-e, A-A-A-L-I -V- E ! ! ! I'd heard that you perished under a huge load of dirty dishes, apparently just a nasty rumour... this is wonderful news. Ac ..goto |
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Maria wrote this response to J.P.'s comment but placed it under the wrong image, I've taken the liberty of putting it where it belongs.) MARIA'S COMMENT » Highly figurative landscap ..goto |
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| JP, my dear Italian dishwashing buddy, I brought up the topic of cubism a little while ago and gave you all my own idiosyncratic interpretation. I was hoping to hear from yourself and others about wha ..goto | |
| A very lovely drawing Anne... a work of art. The deeper meaning is within us all and will always reveal itself. Pursue your formal concerns, that's what drives us on. The feeling, the passion, call it ..goto | |
| I've always loved your work Kearney, I just haven't had much to say about it. To me, your works are so American I can practically taste 'em and they're very tasty. The work is always executed extreme ..goto | |
| Thanks Arnold and just in the nick of time... cough. ..goto | |
| Thanks for your interest in my work and dilemma Arnold, I'm in fairly total agreement with what you've said, except for your grinding of the teeth and hatred for the lamp (very subjective, I love the ..goto | |
| Fotini, I really want to thank you for that, it's truly a memorable little video that says much about you and your personal art and life journey. The bonus for me was actually hearing you speak, your ..goto | |
| Arnold, seeing as this site operates basically for us lately, this pretty much is where I would like to go with my art. I love it, it reminds me of when I could do no wrong, it was an adventure and fu ..goto | |
| I really like these things, I'd just like to know a bit more about your process. Could you tell me approximately how many times you have to run to the toilet during their execution? Here's a great tim ..goto | |
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Wow, simply throw the door open, I just never thought of it, you're definitely a man of vision. And yes the children of geniuses are unfortunately, inevitably damaged. My main concern right now is ..goto |
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| This is in answer to your call for help from the guys (I just checked and I believe I'm still one) in your Studio Log entry. As we all know there's no facility yet to respond directly so I'm doing it ..goto | |
| Sorry, I forgot to mention that I like these beer box paintings very much, my opinion offered above was only in response to what I perceived as a discontent by the artist with what he sees as habit, ..goto | |
| Yeah, I noticed the similarity when I posted that studio log image of my failed canvas. Colour's not a major concern of mine, I'm not enough of a sensualist to really consider myself to be a colouris ..goto | |
| The de Kooning comment was just a bit of tit for tat, I've got a long memory and comments to me like "Why don't you just drop your figurative baggage?", etc, remain. You know by now that I view myself ..goto | |
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I doubt it, I need the imagery to sustain my interest. By the way, there are five small sketches, click on the three of them to see them all. This is a horrible jpeg of this painting, I didn't kno ..goto |
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| Oh, one other thing Arnold, I paint neither inside nor outside the lines in any of my paintings. These kind of still lifes were done for a break from my usual routine of trying to combine images and ..goto | |
| Nice, these ink wash drawings... howabout uploading some of your "action" oils. I don't care if they're old but I'm intrigued since listening to the doc, I sneakily stuck here on the site behind your ..goto | |
| This a very strong work, a beautiful painting. ..goto | |
| Thanks Arnold, it was my great pleasure to show them to you and now your comments have so swollen my head that I have to take a few aspirins and lie down. ..goto | |
| I love this latest series of small paintings The theme is very poignant for me, I suppose I recall only too well being bundled up in the winter and shoved outdoors into the bleak, grey Canadian cold. ..goto | |
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Gadzooks, he's back!!! No Mr. Delaney, I make no such proposition but I would say that generally, not always, artists as children were and are prone to being solitary (not lonely) types and quite ..goto |
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| Mirek, thanks for that quote because it says it all so perfectly. Hopefully none of us should ever lose that childhood mystery and magic but somehow life conspires against us. It takes a tremendous an ..goto | |
| Thanks Mirek, it's good to hear your voice here on AP. Don't be self conscious about your English... it's fine. Certainly no worse than JP's, Hanjo's or my own... Maria, of course is different, speaki ..goto | |
| All I was after was a template of the flattened beerbox because it looks different to what we have here... looks like some kind of weird 6 pack to me. I think you have 2 of them stuck together plus th ..goto | |
| Ok, I see your point... you feel like you can spread out a bit in a larger format. I understand that, it's just that I feel portraits, especially yours are very intimate so I visualize them as being s ..goto | |
| Hanjo I think you're onto something very interesting. I really like this painting and your latest upload "the woodcut print... hey what happened to it, it was here yesterday. I didn't have time to com ..goto | |
| Your work has been undergoing some kind of change of late and it's been interesting to watch your evolution... this one's lovely. ..goto | |
| It is a problem Fotini and the reason I haven't made comment on many of your works although they look very interesting. The images are of low resolution and that's frustrating for the viewer. I think ..goto | |
| Hanjo knows (no pun intended) how to draw me into a discussion (even if I am depressed as hell) and I see he's in a mood for talk. I'm not sure what Maria had to say on the topic (direct me to it) and ..goto | |
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Nice still life. And I like the painting you're working on in your studio log, you just have to have the courage and confidence to keep going and go where no man (or Maria) has gone before. ..goto |
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| Ok John-Paul, then why not reconstruct this site a bit to make it more compatible with your notions, personally I'm all for it. Do away with the Artist Portfolios or at least limit them to 10 or 12 pi ..goto | |
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Ok Tony, heard and noted, please go to the following link to pursue this discourse http://www.artprocess.net/opentopic?topic_id=130&topic_title=Taking a renewed look at Art Process.&forum_id= ..goto |
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Congratulations Mirek. The attention is very well deserved. I'm very sorry to hear of your accident and injuries, I hope the damage is not permanent. Best of luck. ..goto |
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| A very impressive presentation and extremely well done, not just as a commemorative video of the event but it furthered my admiration for your work by allowing me see it more clearly. I wish I could h ..goto | |
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Maria Xagorari |
welcomw aboard. very good work. ..goto |
| This is interesting. Show us some more. ..goto | |
| Ciao Michela, mi ha colpito il cuore sul tuo studio log e visitando il tuo profilo sono rimasta piacevolmente sorpresa. I miei complimenti per il tuo lavoro originale. Ci vediamo a Trapani. ..goto | |
| Dear Ilona, I think your work is most original. Unlike other "out of the ordinary" art products, yours is based on a very concrete idea executed with mastery. I realy hope to have the chance to meet y ..goto | |
| Hi Ilona, thanks for your kind comment. I'll look these artists up because I'm not familiar with their work. ..goto | |
| Oh yes, Marlene Dumas is defenetly an artist I like. I just run into this great site http://www.postmedia.net/dumas/dumas.htm ..goto | |
| Dear Lina, very few paintings with nature subjects have ever caught my eye. These fields of yours though, are an irresistable vortex of colour, sent and sound. I would like to dive in their depths. ..goto | |
| I look at this and then my latest paintings and I get confused. Am I going the wrong way? ..goto | |
| I am going through a little crisis here and your response is most valuable to me. Dear Hillel, it is not from a live model. It is from a photo I shot of a friend who poses for me. I can see what you ..goto | |
| Thank you Hanjo. You have helped me choose side in a conflict in my mind. ..goto | |
| Dear Hillel, I am sure it was a compliment, as I never doubted that you do not consider painting from photos inferior. Neither do I. For the history, I started using photos when I did my “Furies or Th ..goto | |
| Dear friends, do you really believe there is such a thing as an innocent eye? I am currious. ..goto | |
| Oh, yes. I love the hands. This image is like one of a sculptor who has just finished modeling his clay, which we cannot see because it stands somewhere on the right, outside the painting. Are you bec ..goto | |
| Honored. Well I think the gaze in Woyzeck I is the most powerful you have shown us here. Even more powerful than the emotion series. And OK, message recieved. I wish I were able to send such clear me ..goto | |
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Anche secondo me. ..goto |
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| Hanjo, in deed, there is no need to apologise. Your way of eliminating narrative interferences of the background in order to enhance the power of bold colour and excellent drawing, your precedent comm ..goto | |
| Dear Karen, your "Seated man in red background" may be a little more masterful, but this is much more full of meaning, at least in my opinion. ..goto | |
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Karen and Hanjo, I would be interested to know what each of you thinks of Paula Rego's work. Especially her Dancing Ostriches series http://www.saatchi-gallery.co.uk/artists/paula_rego.htm |
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| I like this one. Now god knows why it makes me feel like taking a bite... ..goto | |
| This is one of the paintings that proove the theory that intention is not all that counts when painting is concerned. It seems to have disregarded my initial idea and to have acquired a life of its ow ..goto | |
| The heads are great. Solid like big pebbles on a beach. I think one could have even dared a composition without the arms. ..goto | |
| This is my favourite amongst your works. It has its own light; it does not depend on an external light source that bounds it up with a setting. ..goto | |
| Dear Francien, I run into your page in the Saatchi Gallery site and then I visited you site. I was impressed by your work. Why don't you show us some more of it here? I hope to meet you at Trapani. ..goto | |
| Dear Hillel, I have been looking at your studio log when it occured to me: you are the only artist I know that begins with short of abstract forms and then transforms them into figurative and not vice ..goto | |
| I am aware of the terms of representation and of the fact that everything is an abstraction at the bottom line. What I meant was that in the course seeing (nature) one perceives first what one has bee ..goto | |
| I am not sure I would have seen a car here without your explanation, but you sure brought tears in my eyes with the concept behind it. ..goto | |
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Dear Hilary, I just visited your site and stayed immersed there for quite a while watching your paintings and reading what you had to say.I wanted to tell you that what, in my opinion, makes one a ..goto |
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Welcome aboard Johannes. I visited your web site and found a lot of interesting work. I would be interested to know how you work with paraffin. ..goto |
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Hello Toni, I like your work very much. It is full of my kind of symbolism. This one makes me think of a crussifixion.God knows why. ..goto |
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The finished Trapani paintings are the product of very solid and thorough work. I think you have utterly mastered your pictorial elements here. This is not a compliment. It is though, an apo ..goto |
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| Hmm... a death mask. That is a good one. I hadn't thought of it this way before, but it seems to describe well what I often try to do. I take an expression and fix it there still, so that you can look ..goto | |
| Well, I liked it too. I was a student then. This was from a live model at a time when most students were directed to adopt a painterly maner and study how the inside and the outside are made of the sa ..goto | |
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Dear Hanjo, My saying that I like No II’s colour best meant exactly what I said. I like it more because it is my cup of tea. It is like saying that I like lemon sorbet more than strawberry, which ..goto |
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| My dear you were born to do acquarel. Love it. ..goto | |
| Benvenuto abordo. Interessante, sembra in fiamme. Una sirena nel inferno. ..goto | |
| Interesting choise Tom. Plus a kick in Fontana's balls. J.P I am wandering what that person of yours meant exactly about Chagall. I will go looking to find out. Manet's case could be obvious in Maya ..goto | |
| You cannot possibly mean that you know for a fact that this was thrown away! It is BEAUTYFUL! ..goto | |
| Actually, it went the other way around for me. It was the first paintings I ever sold that I couldn't part with. ..goto | |
| You know, I read your comment here quite some time ago. Then it remained hidden someplace in my mind and came back to me while I was thinking of making a painting. I had these images of this face and ..goto | |
| Hi, Karen. I see you just answered Hillel so you must be on line. Sorry to be using this space but I don't have your personal e-mail. Are you coming to Trapani? And when will you be there? ..goto | |
| Yes, it does! And yes, I will. Only for a few days though... How I would like to have two weeks as well... ..goto | |
| I like your work. It is fresh and funny and serious and grave at the same time. ..goto | |
| Questa e' un' opera che vorrei tanto avere. E', come dire, consolante! ..goto | |
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Δεν το είχα προσέξει α� τό! Μο� αρέσει πολύ. Ι hadn't noticed this one. I like it a lot. ..goto |
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| I have been looking at her paintings for two entire days. I would like to take part in this conversation too. Hillel and Hanjo, do take a look. http://www.mayakul.com/paintings.htm ..goto | |
| Thank you. You have no idea how much this means to me... Well, I think my work has, among other things, been influenced a lot by the interaction with you people on this site. So I am really terrified ..goto | |
| YES! Time for change has come. I expect to see new, interesting elements in most of our works. ..goto | |
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Yes, wrongness is indeed the hook. I am very fond of this little painting myself and I enjoy resting my eyes upon it as it stands quietly against my ling room wall. Sculptural modeling. This ..goto |
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| Bore da Teresa. I came accross the the pot child and I took a stroll around your work again. I have never told you how much I admire your work. It has the magic property of containing our childhood fa ..goto | |
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Oh, dear me! Karen, I am so happy for you. This is really working. My friends, they have to put up with it. Companions I mean. Not every body has the honor to be under an artist's bitterswe ..goto |
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Hi there, Stelio! Welcome aboard. Origin from Cyprous, am I right? I would like to imagine your images huge. Let's say 200x200. Why don't you give it a try. By the way, talking about ima ..goto |
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My current studio is 3m by 3,5m. I know exactly what you mean... I don't quite agree with the term "cartoony" about Adami. I think his lines are thoroughly studied and their precision serves spec ..goto |
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Welcome abord. I wish we had a better picture of this creature of yours. It is my favourite out of your work. Καλώς ήρθες στην παρέα. ..goto |
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Ok, I will tell you what I don't like about this painting. When I look at it I can't help but think of old, film advertising posters. And their function was purly narrative. Pure narration - ..goto |
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| The interaction between the “inside” and the “outside” is one of painting’s great issues. The way we “open” or “close” a figure makes all the difference. It changes our way of conceiving space. Either ..goto | |
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Dear Karen, The larger image you sent me is indeed quite different. The red of the body is warmer and more vivid and the white of the sofa, paper and book on the table as well. So, red and white p ..goto |
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| Sara' pure under constraction, ma e' bello vedere che sei tornato a lavorare. In bocca al lupo. ..goto | |
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Anne, I would like to ask you what you think of Anselm Kiefer on one hand, and Edvard Munch on the other (this came to me mostly by your Shore of Memory). ..goto |
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| Well, it had nothing to do with pain or anything. Just the way your paintings are painted. This one and the next made me think of Kiefer because of (as far as I can make out of the image on the screen ..goto | |
| Woh, woh, wait a second here! I just checked this web address you gave J.P and what did I find? This guy wearing his piece of drape, (is it?) way too high for not showing anything underneath... Well, ..goto | |
| Well, not everything needs to be motivated by a deeper meaning. I tend to look for deeper meaning most of the time while painting and it is a counteraction. Sometimes you start without an intention fo ..goto | |
| Thanks JP. I keep my fingers crossed too. It is so damn hard with everything one has to do. I just wish everything would leave me alone so that I could just paint and go and see good painting and pain ..goto | |
| Hi there, this is great work here. I would have liked to see what the real surface of the paintings feels like. I am a David Hockney enthusiast. Are you too or is it just my impression? ..goto | |
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I am not convinced I can paint yet, but I know I can draw... Thank you for the encouraging my friends. Hanjo, your criticism in private may be offering its first fruit. I am working on it. ..goto |
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| Don't worrry J.P. No one is going to cheet and say all the interesting stuff behind everybody else's back (ha, ha). Private communication between artists is also natural, especially when big attacheme ..goto | |
| Your photographs are really interesting but your painting images are of such low definition that it is almost impossible to view them. Why don't you try to upload larger files? ..goto | |
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I can perfectly comprehend the need of an artist to hear comments on his work. On the other vhand, I cannot but share Hillel's view. So, Merlin, honestly, I must tell you this: i personally, bei ..goto |
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My dear Hillel, I have always been afraid of ruining things and I think this was one of the reasons why my paintings look so tight and only half way accomplished. A few days ago a friend recomend ..goto |
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| Thanks guys. Actually, I didn't mean it as a study. It was just a gesture of unselfish love towards my little old boy who scares me to death everytime he is not well. Pink is a fragile colour. ..goto | |
| Dear Anne, I just came back from Madrid where I went to see great painting. This one looks good on the screen but its surface is disapointing. After my pilgrimage to the Prado, I expect all my surface ..goto | |
| This I have always found interesting for no particular reason. Only today I read the title and now I can't help seeing a human egg. Is this any relevant to your intention or is it just me? ..goto | |
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It seems like you are getting ready to allow some narration into your work. Am I right? After having seen Paula Rego narration is not a demon for me any more. All the contrary. ..goto |
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| You are absolutely right, it is true that the story narrated by painting when there aren’t any precise symbols used, depends very much on the viewer. Stereotype interpretations cannot be avoided thoug ..goto | |
| Welcome to ArtProcess Khairy. Interesting work you have here. ..goto | |
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Hello, Fotini, welcome aboard! I wright in English so that others can pop in the conversation too. I am so glad to find a new Greek person in ArtProcess, I didn't introduce to myself. Drawin ..goto |
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| My dear Hillel, Thank you so much for the encouraging! I am trying my best (or almost my best). The trip to Spain has been decisive for my work. And I tell you, I am deeply, profoundly in love with Go ..goto | |
| Well, I am a chiaroscuro type. I must admit that light and shade and form are all I care about. Colour comes second, even though I like playing with the diferent effect each colour gives as it is conf ..goto | |
| I just spoted this one. You are finally working again! Well done my friend, well done. ..goto | |
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I feel a little out of place making a comment here, as apparently you share an emotional experience I don't, but I would like to say this: There is nothing wrong with the kite. Absolutely no ..goto |
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| Now, seriously, this must be a good painting; it makes me hot! ..goto | |
| Hello, Marianne and welcome. Your work looks very interesting both as conception and execution. These works remind me of a show of Francesco Clemente that I once saw and had me stay in the gallery unt ..goto | |
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I just visited your website. Your work is great. Show us some more here, will you? Nice to have you on board. ..goto |
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| Thanks, Fotini. The quality of the colours is what actually changed when I retuched it. And the surface. I have started working more on the charm of thicker material. ..goto | |
| Ciao Federico, I love these latest paintings. I think they are moving towards somewhere beyond mere minimalistic landscapes. I can see JP's point on Richter, but I would like to know what you think of ..goto | |
| Your scuptures are so good! I can hardly decide on which to comment on. ..goto | |
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I am not sure I understand the first sentence. Do you mean I am moving in different directions simultaneously and risk getting lost? You might get your essay my dear but maybe not just so soon. T ..goto |
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| Sorry, I pasted the above under the wrong image. This was meant as a response to another comment of yours. ..goto | |
| You see that is what I was trying to say once on a comment I made your Head #6. As I understand it, what happened in the early 1900 was the fragmenting and rethinking of the object first and the way w ..goto | |
| You see that is what I was trying to say once on a comment I made your Head #6. As I understand it, what happened in the early 1900 was the fragmenting and rethinking of the object first and the way w ..goto | |
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Well, you may be right and I may be inventing things the way they suit me best. Sometimes we see what we want to see but it doesn’t matter really. Thanks for the analysis. That’s the way I s ..goto |
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| To some extent, I already do paint from my imagination given the fact that I use the model (live or not) as a guide to anatomy and then set it in my own space. For the time being I still need my figur ..goto | |
| Ah, drawing! This is by far my favourite subject. I always appreciate a chance to talk about it. Well, people who would ask you what it is that you paint at cocktail parties as well as comic strip art ..goto | |
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Ciao Federico, vai avanti alla grande! C'e' il mare li sotto? Bellissimo. Vorrei tanto vedere questi nuovi lavori da vicino. ..goto |
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Generale, dietro la collina non c'e' piu nessuno... o forse si? Impressionante. ..goto |
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| Non sono sicura di aver capito. Io guardando questa immagine, immagino un' infinita' di luoghi dietro la collina. Cosa intendi con il "senso del limite"? ..goto | |
| Hey there, welcome. excellent sence of space, motion and light, all in one. ..goto | |
| I honestly think this is the best painting you have ever done so far. No kidding. I wish I could see the real thing. ..goto | |
| I distinctly recall telling you that traditional perspective is out of date. Haven’t I taught you anything? And take a brake with that egocentric attitude of yours. Try some mythological subject, or s ..goto | |
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Dear Patrick, thanks for your comment. And thanks for having me look at this work again. I am looking for some sort of golden section between this kind of anatomically correct depiction, and the e ..goto |
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Thanks Fotini, I am quite happy with this one too. It was one morning's work that helped me face the rest of the week. You know I used to work with a restrained palete of the basic colours, o ..goto |
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| Highly figurative landscapes are not necessarily made by Sunday painters, even though they are the favorite kind of the latter. But I think the reason why this expression even came up (funny thing the ..goto | |
| I wrote this under the wrong image. It is supposed to be an answer to J.P's comment. ..goto | |
| My dear friends, I think that we are facing a problem here: images such as Alejandro’s cannot be fully appreciated unless one sees the real thing. “What art should look like” is a non existing argume ..goto | |
| Es verdad que todos tenemos mas de uno cuadro en el studio al que no tenemos ningun aprecio. Yo tengo mas cuadros asi que cuadros que me satisfacen. Algunas veces consigo desesperada ma pienso que est ..goto | |
| Hello, Eugen. You are really something! You should talk to us more. Love your reds and the San Greal idea. ..goto | |
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Ok, This greeklish means: "Good evening my friend and thanks for your kind letter. The stimuli for my work come from nature, especially the air, the sea and various fruits as well as the for ..goto |
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| Ciao, hai dei pezzi forti qui. E’ buono il fatto che provi diversi stili. Tanti si accontentano con un tipo di pittura con il quale si sentono sicuri e non fanno mai nient’ altro. Oltre I lavori come ..goto | |
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I think you are about to do very interesting things. It seems that there are images inside you that can touch one under one's skin. ..goto |
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| The exhibition is finished, I packed Karen's paintings today to send them back to their mama, and as this is my last week with no lessons on Wednesday, I finaly made time to see what has been going o ..goto | |
| What I admire about this work is that narrative and pure form are so well balanced. It is not simple to make these two elements work for one another and not one against the other. ..goto | |
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I heard about a free round and thought I’d join. The reason I am always very careful with NOT using the word “language” in the same sentence with either music or visual arts is this: Language is a ..goto |
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| Perche' caro Costantino? Secondo lei, e straordinario essere donna e brava a dipingere? Mi dica. ..goto | |
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Beh, probabilmente Bruno trova che anche Egon Schiele, per esempio, e' considerato un grande artista per sbaglio. E che ne pensa Bruno di Matisse? A, vorrei sapere che ne pensa di Gustave Courbet ..goto |
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| L'affermazione "Questa non e' arte" non e' una critica in quanto non da ne argomenti ne raggioni. Io sono intervenuta proprio perche vorrei vedere piu critiche e meno frasi fatte fra artisti. Allora, ..goto | |
| Ecco, cosi va meglio. Adesso ti posso rispondere che in questo disegno, Mimi, e' riuscita a creare volume con il solo uso della linea, che e' una cosa abbastanza difficile e sicuramente dimostra capac ..goto | |
| To add to Fotini's comment. The boy was shot by the police. ..goto | |
| In the past, some of us had thorough discussions on both the use of photographs in painting and narration. I think Mirek here is teaching a lesson of how an artist can get inspiration from one visual ..goto | |
| Are there drippings and splashes there too or do you work like in a drawing? I wish we could see the surface of this. Beautyful. ..goto | |
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Well, you made it; these images make me happy. ..goto |
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| They are like wonderful, magic, singing carpets. I would love to have a tapestry like that. Have you ever thought of having them woven five times their size? ..goto | |
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It is a privilage to be part of Karen's large portaits! Thank you dear. As far as the freckles are conserned, I should really be very careful with Greek sun... ..goto |
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All right, I would like to share this with you guys: Karen and I seem to have a strange telepathy which is the reason why we call each other "brujas" = witches. Various incidents have contributed ..goto |
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| I think there are two senses of intimacy in question. One is the one that the painter feels when doing this large painting and, as Hanjo says walks on this facescape for hours. You really get to now t ..goto | |
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This is a very late answer to your call for help on the studio log on September 23rd, triggered by what Hanjo has been saying here about the painting on the sculpture etc. I took a closer loo ..goto |
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Oh, no, my dear Hanjo, you got me wrong. I meant it as something good and rather difficult to accomplish. Not something that turns you into a poor artist. J.P. if you say that the reason you ..goto |
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| It certainly is gone. It is my own hand and the face is myself as a child. Well, I hadn't thought of it this way, but this reaction of yours is very interesting because it might be true. Thanks for yo ..goto | |
| Nice to hear from you. You'd better get to work so that you can upload your own portfolio in a few years, as an artist. See you soon. ..goto | |
| Ok, now I am worried. I can perfectly see what Eva means and this makes me wonder. Why do we all think of death first? We know very well that there is no such thing as an innocent eye for a painter. T ..goto | |
| Steven, it is very hard to put in words how much and in what way I find your work so touching. I suppose this is precisely the point when it comes to art. I just had to let you know, so I am humbly wr ..goto | |
| My comment on this is going to be very short for no other reason than that of being extremely tired and haven’t had anything to eat for twelve hours or so. Still, I cannot but interfere in this (well, ..goto | |
| Fotini, what would our work be if it didn't reflect ourselves? Where would everything come from if not from personal experience? Even when we illude ourselves that all we think about is form and paint ..goto | |
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My dear friends, thanks for your comments. Renilde, welcome aboard. Karen, you are really being very helpful. Being specific on what looks good to you on a work and what doesn’t is what we need he ..goto |
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| Montse! How nice to hear from you! Thanks for your comments. As you might have seen on the studio log, I already started working with the model and slowly slowly I will collect visual information to g ..goto | |
| Welcome aboard Tom. Yours is an observation we have made in the past and there has been some discussion about the type of comments exchanged here (read the forum Artists' Cafe under "What do you do an ..goto | |
| I agree about the insufficient data but I think it goes for painting as well. By the way, have you seen Teresa A Mills' work here in ArtProcess? If not look her up. I think you might like her work. I ..goto | |
| There was one more painting uploaded between this and the triptych (or was it after this?). What happened to it? ..goto | |
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No... I would be disapointed. Actually, for some reason I don't remember well I liked it more than this one. ..goto |
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So, where is this high resolution image? May I have it please? ..goto |
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| This looks very interesting. If only you could find a way to improve the quality of the uploaded images... Or AP could find a way to host larger files... ..goto | |
| Fotini, it just occured to me, will you be participating in the EETE show on the human figure in December in Athens? If so we could meet! ..goto | |
| Good luck with your exhibition Mirek. Let us know how it went. ..goto | |
| So, Mirek? how did the show go? Tell us. ..goto | |
| Congratulations Mirek, and I am very sorry to hear about your condition too. I too hope injuries are not permanent and wish you the best. ..goto | |
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JP, I think you are not right in saying this. But let's take this conversation outside, let's say in the forum room. ..goto |
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I was about to say something here but Hillel cover me completely. Well done Mirek and one day we will talk about this conceptual nature of your work wich interests me too very much. ..goto |
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Hanjo Schmidt |
Well, the transit series. Anonymous people, no one singled out, and melted into their surroundings. Just a collective movement. So far I can follow quite well. But then you use these semi circled brus ..goto |
| Well, I don’t want to compare the transit paintings with the ones that show individual figures. I think that working on the transit / commuter theme is very interesting for this is our daily life. The ..goto | |
| Well, your conclusion that my „inspiration is coming from the Baroque“ is pretty much off the track. So please let’s repeat just a few things for maybe my unexperienced English led you to think this w ..goto | |
| It’s funny, I was only minutes away from writing a short comment about that it cannot be our business to tell other artists how to paint. If there is a tendency in my last comment it’s not what I had ..goto | |
| I want to point out two paintings in particular, Pink Mat and Wrestlers in Foyer. In those paintings there is so much energy and drama. And with keeping the surroundings clear and almost empty you foc ..goto | |
| Well, this may be a good idea Hillel. So let's have a try. For some days I'm going to load up thre of my older paintings (from 20003 to be more precise) from the series "At Arms Length" ..goto | |
| "From 20003" hehe. Oh the types! ..goto | |
| Well, the shifts ... after my time in New York I was fed up with inventing figures. I thought why invent silly things when nature has such strong objects in store. And I was fed up with theories and c ..goto | |
| Well Billy, I find your approach towards this theme remarkable. It highlights the charakteristic speciality that makes this genocide and massmurder the most gruesome in history. The industrial way of ..goto | |
| It’s quite baffling to notice with what superiority the artist continues the process of unravelling particularities. With this he mines the personal in order to address and interrogate the ways in whi ..goto | |
| Well Miranda, I like this too but have just the same question as Patricia. So please answer our question, will you? Actually it looks very small but if it doesn't matter for so or so it's impressive a ..goto | |
| Oh, thank you for the information Patricia. 16 beds, that must look even more interesting ..goto | |
| Hi Rainer, I like your African series but this I like best. Very good brushwork! Good colouring! Very vigorous. ..goto | |
| Sheila, this I like best. You know that with flowers there is the same problem as with the nudes. One can easily slip into the kitschy section of art. The only attitude that helps out of this maybe mo ..goto | |
| Welcome Karen. Good idea to also join this website. I like to see your work here! ..goto | |
| Having an interior as a background automatically tells it’s own story interferring with that one the body tells. So for me, looking at your paintings from 2005, all the bodies are embedded in that laz ..goto | |
| What I am talking about is that it doesn’t really matter what the artist says. For that’s only about intention. Important is what the artwork says. One cannot stand near to it all the time explaining: ..goto | |
| Dearest Maria, reading our commemts again after years I am ashamed that I deleted the other examples we were talking about so that no one understands what we are talking about. But in a way even witho ..goto | |
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Well, Maria, this is a question no one can answer but you. Now and again one succeed in doing a very good painting. One that is more powerful or more beautiful or simply just better than all the o ..goto |
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| Sometime we all might be tired of this site. But taking one’s time and reading the comments one has to admit that there is no website about art with such rich harvest of meaning and truth. ..goto | |
| Well, I am not into art theory. I am not into any theory at all. Theories are for philosophers or clerics or that kind of people. In the end theories are only expressable with words. They are made out ..goto | |
| I like your artwork very much to begin with. And of course I would like to see it „in the flesh“. In these small dimensions there isn’t much more to be seen than texture. But even then it has an atmos ..goto | |
| I would like to dedicate the Woyzeck series to both Karen Kruse and Maria Xagorari. To Karen for it is about nude men, a neutral background, the colouring of the skin, poses that are not from the clas ..goto | |
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I want to thank both of you for your comments. Very interesting, very serious, very honest and emotional texts. I’m flattered that you took the time. I am aware of the difficulty of using words w ..goto |
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| Well my dear, come to Stuttgart, go to the Galéo café and have a closer look at it. But be aware that the young people that are frequently visiting this place find paintings like this disgusting. So w ..goto | |
| What has become strange is art. And it might be harder than ever to define what art really is. But what one can definitely say is that painting has gone, for painting is much much more than adding som ..goto | |
| Maria, I just spotted this one. It looks very interesting to me for it’s so different from what you usually do. Very vivid and light and happy with a good light and a good plasticity. It’s painting an ..goto | |
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Dear Maria, I want to take this medium for answering you for maybe there is someone else interested in reading it. You wrote: „My favourite expression is that of the first one but the colour of t ..goto |
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| Not at all did I take your choice as a criticism. In contrary I am very happy that you have your own well defined view of things. I just wanted to express why I like number three so very much. Yes and ..goto | |
| This is one of the best things you’ve ever done. It’s so free and melodious and colourful and filled with love and appreciation. It has music in it and joy and hope. So I will keep my fingers crossed ..goto | |
| Karen, that is very well spoken. I have exactly the same feelings for Hillel's work. Thank you for putting it into words. ..goto | |
| I really do like this portrait and the one shown in the studio log. Well, my dear to be honest I tried a lot of texts on your work but dismissed them all. It’s too difficult for me or maybe I’m just t ..goto | |
| Patrick, looking at your work tells me that there is hope. I do not only appreciate your comment on Karen’s so wonderfully coloured and open portrait of Carlos but the way you handle paint, light and ..goto | |
| It’s interesting how close another artists work can become if one had the chance to know the personel she’s working with. Now, after the trapani experience it’s not just a face but that dear person wh ..goto | |
| So now I can judge that this is a very good drawing ..goto | |
| Dear Maria, I just spottet it today (21.7.07) and I'm impressed. Wonderful! ..goto | |
| Dear Maria, go on, go on, go on, don't stop. You are on a good way. I know you can do it. It shows great promise. ..goto | |
| The famous beginning of Joyce’s book Finegans Wake „ riverrun, past Eve and Adam’s, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Enviro ..goto | |
| Somehow I knew that cabeza was a proper artist with his process of unravelling particularities. Now he has a congenial campanioness (if that is the appropriate term). Now there are two masters (or bet ..goto | |
| Bueno XXS, siempre es difícil hacer comentarios sobre la obra de otro artista. Al menos, es para mí. Pero seing este cuadro siempre quise decir algo al respecto. Yo quería mucho antes de que se reunió ..goto | |
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Okay, okay, maybe you understand it better this way: Well XXS, it’s always difficult to comment on another artist’s work. At least it is for me. But seeing this painting I always wanted to sa ..goto |
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| Oh, mejor debería ser: „Pero al ver este cuadro siempre quise decir algo al respecto.“ ..goto | |
| Maria, don't dare to paint on top of this. Take a new canvas s'il vous plait. ..goto | |
| Nikoletta, whatever it is that you’ve said, you are absolutely right. You have the eyes for to look at things properly. You see what’s important and what’s not. And this painting for sure is a great b ..goto | |
| Oops, checking out the studio log again I see that you worked just the way I thought would be appropriate. Oh oh how embarrassing. This at least is proof that I am totally uncapable of writing comment ..goto | |
| Hi Anne, nice to hear from you. And it is consoling that at least my paintings are doing a good job in telling something helpful about painting or in other words about looking at things properly. Of c ..goto | |
| Well Maria, with narration it’s a bit as Hillel described it for seeing figures in every pattern. We have a tendency to see a narration in every combination of figures. Put a woman and a man together ..goto | |
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whow, I’m impressed. Here’s something new emerging. I always feel awkward when have to talk about painting in technical terms. Somehow I have the feeling that one cannot really put in cold wo ..goto |
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| Karen, as far as I can see you did a very good job. When I compare this final version with the one you sent to me beforehand I have to say that you mastered all the little problems which are hidden in ..goto | |
| as far as I know Nikoletta said that this looks very much like Maria. And I think she's absolutely right. It's a very interesting portrait as far as I can judge ..goto | |
| Bien amigos, el arte no es una cuestión de l’ artesania. Pero la artesania ayuda enormemente para decir lo que usted quiere ser oído. Si usted no tiene que decir algo la artesania será destreza mera y ..goto | |
| Well, friends, I really wonder about this community. Once Hillel decried that there is too much politeness on this site and critic is only flattering. But he himself forgot about his own criteria and ..goto | |
| Patricia, woran liegt es nur, dass ich deine Zeichnungen so sehr mag? Ich hoffe nur, dass Du vor lauter grünen Linien das Zeichnen nicht ganz vergißt. Nicht gegen die grünen Linien, das weißt du, aber ..goto | |
| Well well, yesterday I waited for my new canvases to be delivered and what happened was that it was postponed from one hour to the next almost the whole day long and in the end the guy who should do t ..goto | |
| Patricia, wouldn’t it be interesting to put some of your works from the Green Line Project onto this website. I mean you are so much engaged with it and I think that we all should have the chance to h ..goto | |
| John-Paul, I don’t quite understand why you have the opinion of producing ugly abstract art only. I mean this example for instance appears to be extraordinary yummy. A huge collection of chocolate bla ..goto | |
| Nikoletta! This photo, as almost all of your work, reminds me of Trapani (By the way: Antonio, thank you again for letting us have this experience!), that nice place, that wonderful time. And I wonder ..goto | |
| Oh, these are the Jacobsen chairs. I know them like sisters and brothers for I had the great pleasure to work in Arne Jacobsen’s office in in Kopenhagen in the late sixties. My that was a very good ti ..goto | |
| Well, „ nice work but ...“ isn’t really a comment isn’t it? Okay, maybe the rest of it got lost somehow while uploading. Anyway John Paul is right that only showing a piece of art often isn’t enough t ..goto | |
| Hillel, thanks for letting us participate. Having just been in Greece for 10 days everything from there now has my special interest. And thanks Fotini (the name is stressed on it's last i as I just le ..goto | |
| Listening to this debate somehow evokes a strange picture in my small brain: It shows something as Saint Augustine, Rabbi Hillel and say Ibn Rushd are sitting together in some kind of shadowy mosque o ..goto | |
| Γειá μας ..goto | |
| Welcome Maria. I like your comment but unfortunately I do not fully agree with you. I only agree say 99.9%. Scientists who work on the language phenomenon have said that spoken language comes to appro ..goto | |
| Well Costantino, you really take commenting serious. And john-Paul will be happy. That’s not bad. Okay, you see this painting as a kind of crucifiction. Oh oh, that sounds strange to me and is far awa ..goto | |
| Karen, you are perfectly right! The drawings of Mimi are very elegant and much much better as those of Mr. Capestrani. ..goto | |
| caro, esatto, grazie ..goto | |
| I really like to see this painting! And not only for I like the painter so much or the model which of course does a lot to this admiration. No, it’s the colours, the capture of the gaze, the way it re ..goto | |
| That’s a funny idea that intimacy should show better in a smaller size. I mean standing in front of a portrait the size of Karen’s Maria or even more extreme in those I have with the text in my catalo ..goto | |
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Well, my dear, while strolling around in the studio-log section I finally ran into your beer box elegy which really delighted me. I mean I really like to read your texts as I do with Hillel’s. On ..goto |
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| It’s a difficult task to write down what I want to say. It would be much easier if it was in behalf of my own work but it is in behalf of your’s. Or at least your work has triggered these thoughts or ..goto | |
| Well, I’m afraid you are absolutely right Maria and something like this being sucked into his sculptures must have happened to our poor fellow artist. By the way, since when are you working in the hor ..goto | |
| Fotini, that’s an interesting step you made. I’m very curious what comes out of this. The photo should be a bit more precise but nevertheless it looks promising. ..goto | |
| Well, I guess I need help. Today I wanted to simply cross Artprocess Boulevard but there’s no chance. It’s such an incredible traffic out here that it’s almost impossible to see the other side of the ..goto | |
| whow, strange story. But don’t worry JP, we are living in a fully motorized civilisation and people don’t even buy cigarettes from the automat next door without using their car. And don’t forget the i ..goto | |
| Well Fotini, I have a grandson, two and a half years old and very very sweet. When visiting him we have lots of fun playing football, what he loves, looking at picture books for hours, going to the ci ..goto | |
| Am I right that there is something wrong with the solution? I suppose that the painting isn’t as soft in it’s appearance as it looks on this image. So I would ask you the favour of chosing either a hi ..goto | |
| Well, the different languages. It’s indeed nice that you spoke to us in English Eva to make yourself being heard by the community that has gathered on the artprocess site. Otherwise we would be a grou ..goto | |
| By chance I ran into this painting of Fotini and then found Maria’s comment on drawing which sounds very strange to me. I know that we had this discussion on drawing very often here but I have forgott ..goto | |
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Indeed the trick worked this time. I’m so proud of me. Well, it was my fault to try to make something objective what actually is a highly subjective thing. In a way ... and there Hillel’s abs ..goto |
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| Well Maria, neither what I have seen in your studiolog nor these studies looks exactly like a crisis. Obviously you are exploring brighter colours and what light does with them just as you have announ ..goto | |
| Well, I fully agree with Karen. For me too the red seems to be essential. At least I was so happy to find such a bright colour in one of your paintings. And this red gives the painting the warmth and ..goto | |
| When I met Maria the other week at her studio-log she said something about application of paint like that she found out a new method of doing it. But for it’s not possible to ask on studio-log what sh ..goto | |
| The painting you mentioned was taken away for I wasn’t satisfied with it. So it’s a candidate for to be painted over. ..goto | |
| Mmmmm I like this little mole gathering indeed I do. And I like that Fotini came along, too. Well Maria, you are not the only one, absolutely not but ... I’m the artist and I can’t help to be a very b ..goto | |
| Oh yes, I forgot to say hello to J-P who ... I’m quite sure ... is peeping from behind the curtain. And I have to say that I liked your postcard a lot and am pondering on if I should have this kind o ..goto | |
| Psssssst Brothers and Sisters (whisper whisper) I had to read philosophical texts all day long, Adorno, Foucault, Deleuze, Flusser and got so angry and upset that I had to cool down in my beloved bath ..goto | |
| Okay, back to seriousness. Of course it doesn’t matter for an artist if someone „likes“ her painting or not. It might be nice to hear such a thing from someone that is dear to her and it even might be ..goto | |
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Abby Jones |
You do have excellent control over the medium... oils right? I love the colors... especially the reds. I'm in love with the left side of this work. I love the overlapping reds. ..goto |
| Beautiful work or art here. I love the fact that I can see into it. The depth is amazing with only so few colors. Wonderful use of mixed media. The water color and oils together really make the pi ..goto | |
| I love the cellular look of your pieces. Beautifully executed. You do a really great job resisting the left side of the work (which adds great depth) and growing in the right side of the piece with ..goto | |
| I love this work. I love the red. It feels like the fires of a volcano... mesmerizing. I love the crack of light and the blue really stands out on that field of red like a chunk of ice suspended in ..goto | |
| Beautifully flowing shapes and lines. I love the blue with the red and the black. The peach color takes away some of the paintings spark in my opinion, by overall this piece really work I particula ..goto | |
| MMMM I love it. I love the glitter, I love how the blue pops out... you have definately hit on the right idea here, but composition seems a little unbalanced. Maybe I need to see it in person. ..goto | |
| I love the segmented quality of this painting that seems like stained glass. Wonderful use of shadow and light and lovely color choices. ..goto | |
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Wonderful. I love the idea of seeing the reflection of the environment that the piece hangs in... in that way the painting will always be changing. A living piece of art. Bravo a tiny side ..goto |
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| Right off the bat I notice the texture. I love the black vigorously applied... so full of energy... Beautiful. Not sure about the black on the bottom... perhaps a little mor of your orange and red t ..goto | |
| Visually stimulating. The piece seems lit up as if from behind. Wonderful mixture of shapes and symbols. I love your use of line. It seems so spirited and energetic. My eye travels nicely around ..goto | |
| I definitely agree... I would love to see a large work too. The energy would tower over the viewer. I personally have a hard time doing small canvas'. I feel confined and restrained when it comes t ..goto | |
| Love the texture... beautiful use of shape and line. Wonderfully balanced. Please tell me what mediums you are using. Bravo. Beautiful blue. ..goto | |
| Spray paint... great idea. I tried some metallic spray paint. I really like your use of line and bright vivid colors. The straight lines really bring out the odd shaped rectangles with the contrast ..goto | |
| Wunderbar John -Paul. Such energy in the ribbons of color dancing around each other. Magnificent balance and the yellow is brilliant as the sun. Good texture and depth. The only weakness is that ..goto | |
| Gorgeous. I love the way we are able, as artists, to slow down the process and make a piece a part of our lives . It is so much more contrasting and all encompassing to view when it comes to abstract ..goto | |
| by the way the yellow and aqua-marine color really pop and make me feel under water... very fluid. ..goto | |
| Wonderful use of form and lie. The sun really shines... Did you use a metallic paint? Its beautiful, I can feel the heat and energy radiating from it. Love the texture. At first it seemed a little ..goto | |
| I really like this two piece. I like how the top seems to be vertically orientated, i.e. brush stroke, adn the bottom one in contrast is horizontal... which leads to great balance and contrast that m ..goto | |
| Such energy. Great colors and techniques. Very nicely done. Many compliments. ..goto | |
| Wonderful use of white space in this piece. Excellent drip, you do an excellent job of integrating the drip so that it does not seem the accident, but essential to the composition of the piece. Wond ..goto | |
| Wonderful use of the oils. The colors are excellent. The ochre and grey and white really work well. The hints of red and blue really add to the composition is a wonderful balance between warm and c ..goto | |
| Fascinating piece of true creative power expressed beautifully on canvas. I love the idea of found objects incorporated into the work... it really adds another dimension and contrast along with textu ..goto | |
| There seems to be a resolution problem with this piece. I would love to comment later. ..goto | |
| Wonderful use of color and an ode to painting in a painting in poetry it would be called ars poetica. It is beautiful how the eye moves from hand to brush to drops of paint and expands to delicate mi ..goto | |
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Brilliant use of texture as a major compositional element. Wonderful use of negative space. Is there fabric incorporated? Fantastically pulled off. peace Abby ..goto |
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| You are a wonderful surrealist. You are very skilled with pencil and your compositions are fascinating. Very symbolic.Have you tried putting this surrealist talent to the test and use acrylics or pe ..goto | |
| What a refreshing sense of texture and technique. Wonderful use of objects and mediums to create balance and contrast that intrigues the senses. I can't say enough about the originality and talent I ..goto | |
| Wonderful use of drip incorporated into the piece. Excellent balance. Great use of negative space and depth. Nice works. ..goto | |
| This is a wonderful piece of work... I like the idea that you took something that held some materialistic value to you. It was of the finest materials etc. and you broke down that barrier in order t ..goto | |
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I love the depth of this piece. The shadow behind the red at the bottom is so enchanting. Very tasteful use of color for balance and dimension. Fabulous. Peace Abby ..goto |
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| The balance in this piece is magnificent. I mean color, shape, line, and curve. All seem to mesh beautifully into a great composition. Your portfolio is very diverse. Very different styles. I woul ..goto | |
| Mesmerizing, organic, full of depth. I really like the way you have incorporated a controlled drip that feels in the context of the composition to become root like. In this way the whole piece is ti ..goto | |
| Wonderful use of mixed media here to achieve a sense of contrast. The black seems a little heavy handed on the left of the piece, but I love the delicate lines of color and charcoal. I really like y ..goto | |
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I can't say enough about the beauty of this piece. I love the embedded imagery. The cool colors balance well with the deep meaning that the title and the images suggest. Peace Abby ..goto |
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| Wonderful energy in this piece. I love the golden hues. Beautifully balanced burgundy. Altogether lovely piece. ..goto | |
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Fantastic piece, I like this one even more... I love the way you apply the oil and use a turpentine or thinner of some sort to create a sense of dimension. Love the drip. Very Volcanic. Bravo ..goto |
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| Wow. Very impressive. You really have a mastery over the pigment and acetate combination. Visually stimulating and intriguing. I keep discovering new details that are gorgeous. Very elegant. ..goto | |
| Your style of painting works really well for the subject matter. I really like the vacant look on the woman's face, it is like the piece tells a story. In fact I would have made her face the center ..goto | |
| Very Nice work. You have an excellent energy and great use of line and color. Well done. ..goto | |
| I really love this piece. Beautiful use of color and texture. Wonderful energy and enthralling imagery. Bravo. ..goto | |
| Splendid piece of art. Truly electric in image as well as color. A masterpiece. ..goto | |
| Wonderful color and energy in this piece. Love the liquid feeling and the ribbons of blue. Wonderful variations of the color by the way. Bravo ..goto | |
| Love the color and the energy of this piece. Not sure how the lines on the left side work with the overall, but I really love this piece. I really like the center with the blue and the reds. Bravo ..goto | |
| Wonderful symbolism and a beautiful sense of depth. I love the impression of movement and it feels like the piece has a living background. Very well done. ..goto | |
| I love the eye, very Egyptian. The symbolism adn the backgrounds are so amazing. I really like your whole portfolio. Such interesting ideas and these pieces really make you think. Very well don. ..goto | |
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OMG thanks soooo much for all of your comments. I hope no one gets the joke in Never Trust A Prankster. Thanks for the ratings too. Namaste, Abby ..goto |
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| I really love this work. I love your Egyptian like eyes and the obscure symbolism. Beautiful colors and the line is so eloquent and carries the eye nicely around the painting. Bravo. ..goto | |
| Wonderful in pencil or paint you have an eye for balance and I think I keep seeing the same symbol in a lot of your paintings. Is it a personal mark, or does it have some deeper meaning. I'll do som ..goto | |
| Wow... such balance, such talent and skill. You are a marvelous artist. Keep it up. ..goto | |
| Oh, yeah and the depth is superb. ..goto | |
| Fabulous... Love the imagery. The third or inner eye seems to be represented a lot in your works. I love it. It's what expressionism is all about. Even when I try to eliminate the eye from my work ..goto | |
| Absolutely one of my favorites. You have a very unique style and probably a unique way of opening up that inner eye as this piece is titled. What ever works... for the sake of art... you'd be surpri ..goto | |
| I love the titles of your works too. Excellent job on the hands, and there's that symbol again... I simply must know what it means if anything. It is beautiful. ..goto | |
| Ahh I love the eye. Pen too. Wow. Wonderfully Egyptian. ..goto | |
| I absolutely love your work. I love the energy, the colors, the line and curve are beautifully balanced. Excellent piece. ..goto | |
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karen kruse |
Maria,I love it,in it's simple but intense construction. Very powerful. Has quitado aditamentos,y lo has destilado hasta obtener solo lo importante. Enhorabuena! ..goto |
| I am not as good as you are commenting paintings, but I´ll try to express my point of view the best I can. I think that the art of our times, today’s art follows a general trend of muteness. It is b ..goto | |
| I agree with you, the artwork speaks by itself, much better than we do. I’d rather let it be read and not talk about it , as you said depends on who sees it, its a story or another. I guess I need m ..goto | |
| Hanjo, I have been without internet these past two weeks. Finally, yesterday I could connect myself and the first thing I did was to take a look at your new paintings, see what you were doing, and th ..goto | |
| You don’t have to apologize , it isn’t a question only about you, that's why I said “we”, I mean I’m begining to doubt if there is something that can be said to help somebody make a better artwork, be ..goto | |
| This is a sketch I did a few years ago, and the arms formed a kind of knot which I didn't work much,(I just worked his face ) I have started a second version of this, on a larger format including this ..goto | |
| Thank you Claudia for your comments, it is true, there are not many women painting men. I dont think it is a question of being brave, I think it is a question of being honest, I am no poet, and I’m ..goto | |
| Here I am again, looking at your Rabbi heads, late at night , while everybody is sleeping. Dont know why, guess curiosity and a mixed feeling of strangeness and tenderness, that is what they make m ..goto | |
| If I were you and having read the translation, I wouldn't thank Google at all,now I know what a laughter antonio must have had when reading one of my messages , translated the same way into Italian. ..goto | |
| He is very thankful,he is very good from you to say so much. Also many thankyous to google for its translation tools. ..goto | |
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Of course I'll be in Trapani. I'll get there the 4th of July and be there two weeks. doesn't it seem as though we already know each other? Are you going to be there?? ..goto |
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| Maestro Kagan, wanted to ask you something, do you know a painter named Maya Kulenovic?, she works in Canada. What do you think of her paintings, especially her faces? I'd like to have your opininion ..goto | |
| Every time I see this painting the mexican mural painters come to mi mind. There is something monumental about it, guess it has something to do with large flat areas of saturated colour,and the rotund ..goto | |
| And isn't he right? I’m crazy painting so many Raul’s , although I bet there are many more I haven’t reached with my brushes. Its true I’m a bit tyrant....... but I think he likes to be painted. ! ..goto | |
| Hi Maria, well I never thought it could have anything to do with Durer, I worked it under the same spirit as the others, I think it gives a more linear impression because it is very long, and it loos ..goto | |
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Someone wrote that we should learn to see, the same way we learn to read. I think you have a natural gift for seeing, and getting to the interesting point of a scene. And you find it in any image, ..goto |
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| Yes of course the painting is important, but the way you have framed the image she (the girl) seems to look at us asking for help, she seems to fear to be manipulated again, she is more alive than any ..goto | |
| I agree with J.P. I have been working in a Catholic Church, restoring a Luca Giordano ceiling, and your painting was something of a flashback to that baroque movement and light, and forced diagonals. ..goto | |
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Maurizio, me alegro tanto de verte en la web!Bienvenido! espero que escribas tus comentarios con la misma intensidad con que los hacías en Trapani,aunque sea en italiano. Un abbraccio ..goto |
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| Merlin, I have been studying your paintings, and photos, your personal words in the page, and then again the works. I feel a great difference between paintings, and photographs, as if two different ..goto | |
| As I see it you have painted here two REAL women, and as you have done before, taking reality and cutting a piece of it for us, you seem to tell us; stop and look at real life ! , the way I look ..goto | |
| As usual your implacable x-rayed way of describing the truth of long time relationships gives full meaning to this work; it is a bitter and merciless psychological analysis of this couple, her person ..goto | |
| Don't know what you mean john-paul.... ..goto | |
| After saying that you have really impressed me with your Spanish comment, and since I have been alluded again for my drawing , in Raul’s painting, I have to say that in the end it is a similar star ..goto | |
| Davis, enhorabuena por tu color, tu movimiento, tu libertad a la hora de crear formas, tu falta de miedo, nunca dejas de sorprenderme porque no dejas de experimentar. La vorágine que manejas, aunque ..goto | |
| Gracias David, cuando quieras. ..goto | |
| Well, when doing a portrait of someone you know, the challenge is to paint something of the essence of that person, it doesn’t rely necessarily in the measurements, or the texture of the skin, it i ..goto | |
| I also like your paintings precisely for that open, unfinished, character. They have the quality of a remembered image, an instant of light kept in our brains without too many details, like a memory i ..goto | |
| I'm sure I agree with Nicoletta. Just one more thing, it's small but it seems monumental,where's the trick Maria?? ..goto | |
| I have to say Maria, that I love the way this head is done. We all know that its apparent simplicity is very difficult to reach, and you've done it with very few brushstokes. Enhorabuena ! ..goto | |
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Well, I've offered myself to paint it! But I need him here, or at least some photos...How about it Hillel???? ..goto |
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| Alejandro, no sé si te has enterado de que toda la discusión la ha generado tu trabajo, sería interesante que comentases tú también tu opinión sobre el tema, y así hubiese una intervención también en ..goto | |
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Maria , nunca dejas de sorprendernos! enhorabuena ! esto es un detalle para todos los miembros españoles de esta web! merece un aplauso no?? Alejandro , gracias por tus palabras sobre mi obr ..goto |
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| Hillel, I would really like to see these small studies better, would it be possible to put them in your studio log one by one?? a fast small sketch is usually much more revealing and interesting than ..goto | |
| questo sí è arte??? sorry but the comment you made can return to you as a boomerang, at least explain why you think something is or isn't art. ..goto | |
| Bruno, one of the best things in this web is that we can comment anything, and there is no real knowledge of who we are making the comment to (in general terms) I mean, what in our own country would m ..goto | |
| Well Hanjo is right, it was made with love for this greek witch, that doesn't seem to need a telephone to contact me. Intuition, telepathy or special communication..who knows, anyway I enjoyed (and su ..goto | |
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“Aprender a mirar los ojos, a mirar lentamente, profundamente, aprender a escuchar con los ojos. Nadie puede soportar la interrogación del silencio, se ha escrito. Nadie puede soportar la inter ..goto |
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Ciao Vito,e grazie, è un commento che mi lusinga specialmente perchè viene da te, che qualche volta mi hai detto che non capisci il senso dell'arte figurativa e non la sai commentare e neppure vu ..goto |
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Silence can be suffocating, and it can also be comfortable, in your grandson's case it is full of excitement and happiness and it is evident that he has no doubt you understand what he is saying ..goto |
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| En este día terrible para los habitantes de L’Aquila y para todos los italianos, sólo quiero expresaros mi tristeza por esta tragedia, me duele Italia como si fuese mi propia tierra , solo puedo manda ..goto | |
| Maria, quería comentarte el cuadro grande pero no he tenido la ocasión, hoy puedo hacerlo. Lo voy a hacer en español, para variar, y porque me lleva menos tiempo. La primera vez que ví la pintura me r ..goto | |
| La palabra “rotundo” no tiene las mismas connotaciones en inglés y en español, por eso he preferido usarla en nuestra lengua, creo que este retrato lo es, y la expresión reflexiva de la chica no hace ..goto | |
| Is everybody asleep in this web? dead? I haven’t read an interesting comment in months, nothing….. I mean I know that two or three of the usual writers have good reasons for not doing it, (including m ..goto | |
| Of course, Fotini, we all look in silence again and again, but this web was different because there was a REAL communication between some artists , … and although I have to say that I miss some in p ..goto | |
| I'm afraid brother Hanjo has retired to his room, probably to meditate why his bright red heels are frequently read as bloody heels, (I thought the same thing), or maybe the hearing aids are not that ..goto | |
| After reading the comment I had to go and take a look at your work and I found your statement, I'm afraid I cannot agree with it, yes there is Bad art, as there is bad music or mediocre arquitecture. ..goto | |
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John Wood |
a very good and intreging art work "love it." ..goto |
| a good and valuable art work so impressionable. ..goto | |
| A very good conceptual art work "cool." ..goto | |
| A very uniuqe tallent. ..goto | |
| god on the eye none offencive. ..goto | |
| the facial asspect is quite uniuqe. ..goto | |
| the surelist point of view is out done by the colour expression." good keep it up". ..goto | |
| the constant of the opaque colour complements the picture. ..goto | |
| the torment in this picture is quite reminisant of death rebirth and afterlife. ..goto | |
| a uniform pattern of dark and surcumbrant ills. ..goto | |
| a very pronounced view of purple as a tree. ..goto | |
| a good contrast of pinks and purples good to the eye. ..goto | |
| the green lines lead you arond the edge not to the centre, very clever. ..goto | |
| very mecarb and dark unusal but I see what you are saying. ..goto | |
| A quite uniuqe perspective of a person in some sort of contortion. very good. ..goto | |
| A well placed uniform display of colours and lines" very good" ..goto | |
| A good visual concept of red to show the true nature of the falme. ..goto | |
| An indepth view of relationship suffering. ..goto | |
| A quite uniuqe insight into lonlely people. ..goto | |
| An interesting point of vision from thisa artist top rate. ..goto | |
| The concept reminds me of a beach whale in final stages of decay ..goto | |
| An interesting visual concept of two boats if that is the intention very good. ..goto | |
| Very spider like I like it. ..goto | |
| The industrial point of view with nature is disturbing but true. ..goto | |
| the image reminds me of DNA and the centre is that of an ovam. ..goto | |
| Again DNA almost at the edge of the egg. ..goto | |
| The way the bridge controls the plume is inspiring. ..goto | |
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very base form but eye catching. ..goto |
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| The pattern though basic show the the waves perfect giving a good perspective of water ..goto | |
| Very natural and origanal" very good I like this" ..goto | |
| Reminds me of bieng in space looking down at an Island on earth. ..goto | |
| The digital fractulatiuon shows this composition to be insightful. ..goto | |
| A very deep view of women an intended perspective I guess. ..goto | |
| These peice I really love as it reminds me of what sometimes goes off in my head haha ..goto | |
| Love the instyling of the obscure figure love it!! ..goto | |
| She most definatlly is Juliet ..goto | |
| Very intricate love the swirlling effect very nice!! ..goto | |
| WOW WOW!! ..goto | |
| OMG!! EXCELENT!! ..goto | |
| I love this the mood in this is so full of good sensasion :) ..goto | |
| But do they get the joke I hope not haha!! ..goto | |
| Nice and gentle i really like this one"" ..goto | |
| The patterns of blue and pink work well and compliment each other I love it! "HURAH FOR ART" ..goto | |
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Anne Duffy |
like it ..goto |
| great. like a modern Joan Eardley ..goto | |
| I like the dimensional aspect of this and the use of accent colour.The "black" shape in the middle reminds me of a book and also of a zinc etching plate. There is distance in the background. It is goo ..goto | |
| yes, I too see something of Francis Bacon in your work, altough not particularly in this painting. ..goto | |
| That made me laugh! I like these small paintings anyway and they've given me an idea on how to tackle a project I'm doing this comming year. Will put the stuff up on Studio log. ..goto | |
| It' just struck me that the style of these paintings is like certain artists from the '30s. Was that deliberate or unconscious, given the subject matter? ..goto | |
| well!! ..goto | |
| I like this but..dunno - the face shows pain but the posture is relaxed. The figure and the room are at odds. ..goto | |
| I think this works much better than the previous one. There is an overall feeling of tension. ..goto | |
| Maria, I saw some of Kiefer's work years ago at Tate Liverpool and loved it but Munch's work does nothing for me. "The Shore of Memory" was one of the paintings I made following my brother's death 2 y ..goto | |
| Edward Hopper comes to mind but there is also a British artist whose name I can't bring to mind. Will post it when I remember. ..goto | |
| A very powerful painting ..goto | |
| This is a superb painting Maria ..goto | |
| Another great painting. It evokes aeons of ancient history. ..goto | |
| Is it a child? The best paintings always aquire a life of their own. ..goto | |
| faithful old dog! ..goto | |
| I really like this. I think clothes can be expressive in the same way that you say body parts can be. ..goto | |
| I don't think the function of old film posters was to narrate, they aimed to give a glimpse of, a peek at a story that you would want to see. Medieval paintings aimed to tell the whole story, later on ..goto | |
| Elaine, I'm very interested in the concept of Home. Were you , in fact, homesick when you painted this? It looks very tranquil but also a bit closed in. Does it relate to the land or to feeling - or b ..goto | |
| Thank you Hillel, I really appreciate that. Painting is a wonderful and mysterious thing, there is your conscious intention,there are all sorts of things that come out from your unconscious and then t ..goto | |
| I agree that things emerge as you paint. And not everything has to be "deep." There is joy in colour and pattern, in line. ..goto | |
| Quite right. It's monumental. ..goto | |
| It looks stunning John-Paul. How could you bear to have your creation wiped out? I'm interested in the "story." I've done residencies in public galleries and didn't mind the public at all but when I d ..goto | |
| I think this is wonderful. Your work is so striking but some of your images are so horrible that I don't want to look at them. ..goto | |
| This seems so different to the rest of your portfolio. I like it. ..goto | |
| I think this is an amazing painting. Inspiring. ..goto | |
| Hanjo, I've learned a lot from your explanation. Thank you. ..goto | |
| Hanjo what a tutor you are. You have taught me so much in this painting. ..goto | |
| First and foremost it's a wonderful painting! ..goto | |
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I can't remember making this comment (been moving house, mind elsewhere.) If it was me,sorry, I can't remember. ..goto |
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| On reflection, the above comment is inadequate. I think I meant "Well, what can you say!" The thing that goes through my head is "bad day on the Planet." A touch of the werewolves. Somebody feeling ro ..goto | |
| Although there is so much yellow it is not overpowering because of the figure. It's visually very satisfying and I like the concept (from medieval times?) of showing different phases of a life in one ..goto | |
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I was sad when I painted it as my brother had died. I am the only person in the picture left. I could not paint their faces for emotional reasons. Composition-wise, I had difficulty with the kite, ..goto |
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| Maybe you think they are not good technically but I imagine they have a presence far more powerful than a photograph. ..goto | |
| wow! I never realised all that but you are right. It was all done on instinct but now I see what you mean. The difficulty I had with the kite was not it's position but the size and the colour. These c ..goto | |
| I like this. Lets see more of your work. ..goto | |
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fotini hamidieli |
i like the organization of the work and the light -dark contrast ..goto |
| maria thanks for the wellcoming i live in asmall city it's difficult to find people to talk to about art when i need to, so artprocess is great . ..goto | |
| non posso scrivere molto bene in italiano ma me piacce la energia di suoi linei ..goto | |
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| i see that you exhibited at woods gerry gallery idid too but a long time 1978 it's good totalk to risdy grads ..goto | |
| in the last darker paintings i like the way the forms are born from the darkness and the colours gain intensity too ..goto | |
| thanks for your comment yellow is acolour which has negative conotation for me that's why iused it i don't know if it's medieval art i was thinking about or subconsciously greek byzantine ..goto | |
| i can relate to this painting it seems kind of sad to me in its umbiguity nice positive -negative shapes ..goto | |
| i can understand how you feel as i lost my sister who was my best model after she was gone for 2 years itried to paint portraits of her now that ilook at them ican see they weren't any good ..goto | |
| I like the surface of this painting and the big red shape forcing its way up ..goto | |
| The way you allow your figures to exist in space is interesting.Iwonder what this work would be like if it were really huge. ..goto | |
| Ihave just visited your website .Great work ,I particularly like the drawings, looking at your work pyt me in a good mood,so playful, a game between large and small. ..goto | |
| I liked it upside down as well. The colors in the hands are really beautiful,glowing with warmth. ..goto | |
| I can't stop looking at this head! ..goto | |
| I can't believe what you are doing!This is such strong work.The little blue spot over the eyebrow and the patgh of cool light green onthe right side of the head are great! ..goto | |
| this is a good one. I like the closeness and the warm to cool colors. ..goto | |
| sometime ago you wondered about what makes artistsand I had told you my story.Recently I made a small film about it,if you like to see it you can take a look at untold stories.eu . ..goto | |
| i think i got it better this time, thanks for your help ..goto | |
| don't boulevards have shadows where people just stand around ,looking,trying to avoid the sun and it is so hot that they prefer to simply lay low and wait and see?i must say you guys are sometimes int ..goto | |
| i will get some help and try again.i am not too familiar with the computer ..goto | |
| Now, now we don't want anybody feeling sad but even more so I don't like thinking of Hillel being depressed and hope that he will get his ''kefi'' back quite soon.''Kefi''although not able to translat ..goto | |
| In November in my exhibition a social science proffesor looking at my work commented that my figures seem like females who are trapped in a closed environment,a provincial environment.The comment both ..goto | |
| Ofcourse any time my work evokes a reaction from the viewer I feel satisfied that I was able to communicate.Even more so when other women see themselves in my work.Just today I run into a friend whom ..goto | |
| Well I can understand why you are studing Tetsis, his color is masterful and he lets it breathe although he uses intense hues very often.It is a good thing to let the work guide you,it might lead some ..goto | |
| I actually had to look up the word transmogrified,now I know it.Like most people I have been looking in on AP but time is short and my mind has been wondering,too difficult to focus.I was taken back b ..goto | |
| what interests me about this painting and I find daring is all the black space ,heavy,weighing upon the figure,the mass of the body,which if you look at it quickly have to think''what is this?'' and t ..goto | |
| Unfortunately I am not a memberof EETE so I did not know about this show,maybe I will make it there to see it anyway or at some point you may come up to Thessaloniki ..goto | |
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Federico Mazza |
Cara Maria questa è la tua opera che più mi piace. Bellissimo ..goto |
| bravo! ..goto | |
| Hi John.. thank you for your comment! I am very happy to read this message becuase I love Gerhard Richter, for me the best "painter"! (not an "artist" as he said.. like me I say!) Un abbraccio e spero ..goto | |
| Ciao Maria, I dont like paintings where there isn't any represantations of reality. I like his aesthetic but not the substance. I may be ignorant but that is my personal view. Thank you for your comme ..goto | |
| under construction ..goto | |
| I like it! ..goto | |
| I like it! ..goto | |
| This is grat for me Patricia! beacause I think this "blurred" theme is my future direction. I thing that the humen, in their human life, are leaving the natural life, we see everything from a window, ..goto | |
| Sorry for my terrible language errors (grEat, I thinK, etc :-) my terrible english. ..goto | |
| Thank you Patricia.. I learn English listen other people! Only French in the old italian high school! ..goto | |
| bella immagine! ..goto | |
| I like it ! grat! is it a photo? ..goto | |
| I like it ! great! is it a photo? ..goto | |
| Ciao Maria, il senso del limite, proprio quello volevo raggiungere e leggendo il tuo commento noto con piacere che ci sono riuscito :-) ..goto | |
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grazie mille! mi fa davvero molto piacere, spero di organizzare una miapersonale in questo anno, potrebbe essere un occasione per te per rivenire a Roma. xo ..goto |
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L'immaginazione è generata dal limite della visione. In questo caso io sento e vedo un limite di una collina che mi impedisce di vedere. Questo limite genera la tua immaginazione, quel bagliore di ..goto |
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| The Blurred and The Transits series come from the daily life, never from an exceptional source, they come from places that have been seen one time after another, always with a short glance, never payi ..goto | |
| Hi Hillel, I like this painting. Isolation, meditation and solitude are very present here. It rememinds me the Hopper's empty rooms. ..goto | |
| Hi Hillel, I like this painting. Isolation, meditation and solitude are very present here. It rememinds me the Hopper's empty rooms. ..goto | |
| The Blurred and The Transits series come from the daily life, never from an exceptional source, they come from places that have been seen one time after another, always with a short glance, never payi ..goto | |
| bellissimo! congratulations! ..goto | |
| Thanks Jacques, in the dark there is what we are incapable of observing.. ..goto | |
| » The Blurred and The Transits series come from the daily life, never from an exceptional source, they come from places that have been seen one time after another, always with a short glance, never p ..goto | |
| I have painted this last work only for the theme "Water" for my next show in July, that will take place in Vasto ..goto | |
| Bravissimo! ..goto | |
| Tommy ce ne hai messo di tempo per fare anche tu un landscape :-) mi piace! ho saputo anche che la rivista Grab sta facendo un articolo su di te e indovina un pò? Grab è il free press di Luca mio cari ..goto | |
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Arnold Leventhal |
an exciting selection of works - very skillful capture of light. post a drawing too, perhaps. ..goto |
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Isabella, your expression is carried so fully by your line, your 'hand' alone, that the figuration is almost unnecessary to help me understand! I particularily like June 2006. And since then? ..goto |
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Bravo Markus! You are firmly embedded in the heart ( and soul) of ABEX painting. Glop it on and scrape it off! Oh Yeah! And since? ..goto |
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| Isabella, after commenting on your work I found the more recent pieces in your studio log. Once again I am astonished and even afraid at the heat and violence of your expression. Your palette of black ..goto | |
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Alejandro, looking through your portfolio i discover a technique, a discipline and skill which makes me cover my face and wail! 'El palleter' is the first work i saw. It drew me to the others, ye ..goto |
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| I'll have what Hanjo's having! Giddyap! ..goto | |
| Something very familiar about these pieces Michael. I appreciate the raw, rough, almost 'Automatiste' qualities, and the rude combining of media! ..goto | |
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Raymond, in your comments on the question 'why make Art'you have articulated very accurately the uncertainties, vaguaries and challenges to be faced when one choses the 'life in Art'. As one goes ..goto |
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| Now you're starting to get somewhere, Kagan! ..goto | |
| Seriously, Kagan, think of yerself as being in...mid-career...there's plenty of time for you to become a competent colorist! ..goto | |
| J.C.Leyendecker ..goto | |
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there you go again...putting yer reds in front of yer blues..and the lamp, I don't care about the lamp, i want more of what's dead center! Looking back 30 years i see how long i rassled with the p ..goto |
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| Two things, Kagan - first, you're under arrest! Contraveningthe blue laws! I refer to the tendency of red and blue to defract off one another, making them difficult to work with in certain intensitie ..goto | |
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Toni, what a wild lyrical touch you have with the brush, and such a wry, amusing point of view. Kagan is right to admire your exuberant talent!What's new? As an aside to both of you, it is T's w ..goto |
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Very convoluted comments JP. For a moment i thought i was reading Kagan! Little internet humor there - do we really know to whom we speak? Is Kagan really a 25 year old female artschool undergrad? ..goto |
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| If there were no Hanjo, we'd have to invent him! One thing i like about this site is the surprise, the comments appearing from all directions and points of view. Just as one thing i like about the wor ..goto | |
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Referring to Kagan's new posts on his studio log - nothing can bring me out of my shell like Kagan's coloring outside the lines! Those three sketches... but careful, you may find yourself on the ..goto |
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| Kagan, i must reaffirm my great pleasure in seeing these 'grappling' paintings in real life! It is an astonishing series of works! The large scale empowers the resonance of the images! I love the razo ..goto | |
| The eight or nine pieces in this series were done without brushwork. I used knife and stick, a comb, and did some nasty adjustments with a rubber mallet. The surfaces are hugely textured, the canvasse ..goto | |
| You have a deft hand with wet in wet technique. I have a fondness too for such emotive, 'alla prima' creation. Yet I wonder why the work has to be so specific in its subject, that is a chair, or flowe ..goto | |
| This for JP - I often go back to your studio log to visit the painted hospital twenty- something artist pictured there. Something comforting about that environment,and i like the paintings. I like the ..goto | |
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ENRIQUE ROCHA |
definitivamente,me gusta, la composición es muy bella ..goto |
| impactante, el trazo revela un gran oficio....... ..goto | |
| una composición éterea, me gusta ..goto | |
| me gusta mucho tu obra, ¡¡¡¡es muy vasta y de excelente calidad!!!!! ..goto | |
| es una obra de gran calidad, yo la recomiendo ..goto | |
| guauuu, que belleza!!!!!,te felicito ..goto | |
| la maestría radica en su sencillez,felicidades ..goto | |
| que belleza......me gusta ..goto | |
| muy buena obra, te felicito ..goto | |
| guauu!!!, me gustan todas,te felicito ..goto | |
| interesante el concepto, te felicito ..goto | |
| Nueva York te favorece mucho,tu obra es de muy buena calidad ..goto | |
| me gusta la obra...felicidades ..goto | |
| me gusta...es una gran obra ..goto | |
| muy interesante tu obra....felicidades ..goto | |
| GIOVANNA....YA NOS CONOCEMOS...ME GUSTA MUCHO TU OBRA ..goto | |
| MUY BELLA OBRA ..goto | |
| TU OBRA ES MUY COHERENTE....MUY BUENA ..goto | |
| muy bella obra.....felicidades ..goto | |
| buena obra...... ..goto | |
| me gusta...buena obra.... ..goto | |
| muy buena obra...... ..goto | |
| bellisima obra....felicidades++++++++++++++++++++++ ..goto | |
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Jim C |
Hi JP. I really like this drawing. Its original but it also walks in the Futurist- Early Duchamp "Nude Descending A Staircase" hallway. Cortland ..goto |
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Hi JP, Have you thought of doing this kind of thing in plaster, or resin in order to eventually do bronzes.......... ..goto |
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| There's a lot of Henry Moore in this piece. I really like the sensual femine quality. You'd probably have to get rid of the grit, but this would also be a fantastic marble, or bronze piece....... ..goto | |
| I'd be interested in seeing how this idea might look worked in an upright position...There's got to be a technically easier way for you to progress with this kind of work..resin..Nikki etc...... ..goto | |
| Yes, one can see Bacon, but this work has more life to it. Something here is reaching out, coming forward. Excellent painting....! ..goto | |
| Kagan, this is great painting. There's plenty of painting history here, but the blur of today is uniquely contemporary....! Bravo.......! ..goto | |
| Hi JP, Yes, I did see the date... the work holds up especially the right side which is truly excellent.....!Size,well I guess most young artists want to explode out into space especially when most of ..goto | |
| Well you've got me laughing about this cutting things up stuff. Years ago when I lived in the middle of France I stretched this huge canvas in my studio, and then worked on it like hell for months. T ..goto | |
| JP, I think most people generally associate small with intimate-intellect, and large with physical-sensual, but those are really just generalities.Each work is a totally new experience, even when one ..goto | |
| Very Strong...... ..goto | |
| I try not to look for myself in other painters. This allows me to appreciate the widest possible range of creative endeavors, and to continue growing as a spirit. I'm always delighted when I encounter ..goto | |
| Hi Kagan, I hope you don’t mind me addressing you by using Kagan. I just like the sound of the name. Fraternity, strands, spot, these are fantastic words, and you’ve used them in an artful coherent wa ..goto | |
| There's a wonderful exotic ceramic feel to this one........! ..goto | |
| Hi JP..I understand the space issue. I work in our apartment. You may have noticed the size of the works I've been putting up on the site..5 x 7 inches. You can stock a lot of cards that size in a sma ..goto | |
| Hi Alex, I like your spacial exploration,and the color is very tuned in. if you don't know the work of the Austrian Karl Korab especially is silkscreen stuff look him up on Google, or go to the german ..goto | |
| and Antique section........soory got cut off.....Cortland ..goto | |
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Hi Karin, I'm a dinosaur..what is a pac-poe..........? ..goto |
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| Thanks... ..goto | |
| Hi Wrenn, its obviously very hard to see the textures in this piece, but there's something about it which eminates a very whole feeling. it reminds me of Severini, but also of Pollack, but at the same ..goto | |
| Hello Alessandro, I was quite taken by this image. It reminded me of the traces I often used to see in the sand on California beachs where I grew up. Quite striking.........Bravo......Cortland ..goto | |
| Terrifing, Powerful, Painful,............Art......! ..goto | |
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Hi Sunny, One inch = 2.54 centimeters. 7" = 213.36 centimeters, so your painting is 213 x 213 centimeters. Hope that helps........ ..goto |
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Patricia Carmo Baltazar Correa |
this is an excellent image/sculpture, i wonder what meaning it would 'acquire' if you kept on researching this big, soft material, apart the problems you've got with neighbours, landlords and kids , u ..goto |
| beautiful colors! and huge format! ..goto | |
| looks really good! ..goto | |
| what a brilliant painter/artist your are!breathtaking! congratulations for your work! ..goto | |
| i like these coffins a lot!i like also very much the way you develop your sculptures on metal wire! ..goto | |
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hi wrenn, you might like to see the work of this artist http://www.deborahirsch.com/ specially the paintings of the "item" series. nice work! ..goto |
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| i like a lot the idea of working with found objects. i haven't started my series yet but it will probably soon. dirty white papers on the floor are my passion...with shoeprints or car prints! there's ..goto | |
| i love that one!i wonder if you have developed a whole series of it. i'd love to see it live though...reminds me of polke a little bit! ..goto | |
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very nice pencil touch! there's this italian guy, valerio berutti you might like to get to know his work! http://www.valerioberruti.com/TESTI/MENU.html ..goto |
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| i like that a lot; how big are they? ..goto | |
| hi ilona! excellent work! congratulations! ..goto | |
| wow!excellent pencil drawing too! ..goto | |
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Dear Hanjo, "The work with the little beds is an installation made of 16 beds, eachone measuring about 10x15 cms 7 high. They were exhibitied in Torino at the MUSAE edition 2006." This is what San ..goto |
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| hi john-paul and enrique! this srawing is about the idea that we, inhabitants if this planet, are simply "filters" attached to a chain where all the other beings are also filtering, cleaning. the smal ..goto | |
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art trap...art trap...look j-p, there is this guy who's a teacher at the art school in hamburg who worked a lot just doing traps. one link si here: http://www.jablonkagalerie.com/html/artists/slom ..goto |
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| i see kind of an uncombed hair here...this image ould look aggressive but it doesn't...white, red and black are the colours of the 'the godess', the representation of the matriarchal godess;fascinati ..goto | |
| sorry, i wanted to say 'uncombed heart', not hair... ..goto | |
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khairy hirzalla |
intelligentshorthand unique work thankyou ..goto |
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intelligent shorthand unique work thankyou ..goto |
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| molto bello! ..goto | |
| molto bello! ..goto | |
| rely...... molto bello ..goto | |
| rich imagination ..goto | |
| rich color and courage subject return to childhood color ..goto | |
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� زج الاصالة والحداثة بنجاح واضح ..goto |
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الروح الشرقية و� وسيقاها الرائعة صداها في اع� الك شكرا اخي اح� د و� زيدا � ن الج� ال ..goto |
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السجاد الشرقي والحرف العربي � صدر غنى اكيد استخدا� ذكي ..goto |
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| impressive work expression voicing shorthand wonderful human attributes case ..goto | |
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dear john simplicity... no suspicion An interesting outcome spirit spread in your work, you are playing and that is the point. thank you ..goto |
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it is an art thank you ..goto |
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Hi Maria thanks for your comment I respect your opinion you shall find more soon ..goto |
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hi in this painting the high sensitivity make 3Dimension I can to touch the lump do you try some day making sculpture beside painting, also the looking is wonderful expression and turn me ..goto |
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Dear john Paul My work is somewhere between reality and abstract. I found reality is boring, so I decided to paint in that area. I think this style convey my feelings to people smoothly and stim ..goto |
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Canonico Costantino |
Dear Maria Xagorari mi scusi se uso la lingua italiana ma in Inglese non avrei le parole giuste per esprimerle la mia sincera ammirazione .I suoi lavori possiedono una forza comunicativa impressionant ..goto |
| Una sintesi e una immediatezza encomiabili. Canonico Costantino ..goto | |
| Molto raffinato . Canonico Costantino ..goto | |
| Interesting and beautiful works .Canonico ..goto | |
| Certamente una donna può a pieno titolo essere una pittrice , e Lei lo à al 100% , quello che impressiona e attira è la FORZA e sicurezza e immediatezza che ne fa una pittrice molto rara . Cordiali sa ..goto | |
| Questa è una immagine di rara profondità psicologica , quasi al limite una sorta di alienazione,un profondo PENSARE .saluti Canonico ..goto | |
| Questo occhio vede ben oltre il visibile , appunto perchè è un occhio che non si limita a guardare ma a VEDERE . Saluti . Canonico ..goto | |
| Questa on è una donna che pensa ma il PENSIERO STESSO .Canonico ..goto | |
| Non è la luce a colpire questo volto , è il volto a diffondere la luce , come un sogno segreto .Canonico ..goto | |
| Immagine tragica come quelle di Soutine .Canonico ..goto | |
| Un uome dorme accanto alla sua coscienza . Canonico ..goto | |
| Powerfull!The man is tryng to get a exit point .Pure existentialism . Regards . Canonico Costantino ..goto | |
| As an horizontal crucifixion !Splendid!Regards . Canonico Costantino ..goto | |
| Lavori interessanti in quanto molto inquietanti e percepiti dentro di noi . Canonico ..goto | |
| Icredibilmente e tragicamente bello . Sei una vera artista che può dare molto in questa società esangue . Ti sento moltissimo vicina . Ciao Canonico Costantino ..goto | |
| Tutte questa opere sono un canto alla dimensione del vero SACRO . Bravissima . Canonico Costantino ..goto | |
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merlin keating |
i love the dark sexual content of this piece.i enjoy the colours and the stormy organic feel.one word describes this piece, "primal". great. ..goto |
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i think marina is very talented. i love the cartoonesque paintings. full of life energy and honesty. wicked. ..goto |
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| photography is my passion. this is a great piece. beauty mixed with vulnarability and form. i would like to chat with rachel about photography if she would contact me. ..goto | |
| i think your approach is fantastic,eye catching,provockative and fresh. wow.! ..goto | |
| please will someone rate and review my work??!! ..goto | |
| this is beautiful.the colours,textures and the trickery. i love it . thanks. ..goto | |
| merlinkeating@eircom.net ..goto | |
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> many thanks for your comments. > in some ways i agree with your comments,but if as > artists we do not > communicate, how can we grow ,find new concepts and > ideas? i think its good ..goto |
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thanyou all for your comments. ..goto |
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| the fact that i asked for a review, in itself sparked off many comments,thoughts and ideas. great. ..goto | |
| interesting but where are the rest of your photos? ..goto | |
| this is great. its like something from judge dredd. i could imagine an exhibition just on this stylised subject. explore more. great. ..goto | |
| i apologise for not reading the materials section. your painting are so good i thought they where photos. i congradulate your work. ..goto | |
| i love the sterility of these photos. the colours work well and the fact there are no people in the scenes gives great depth to the scenes. well shot, well, executed. the style is fantastic. yo,ve a ..goto | |
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Schirinzi Claudio |
ciao,complimenti per il tuo lavoro, vorrei chiederti un favore: non riesco a inserire la foto del mio lavoro.. tu come hai fatto? ti prego di una risposta.. grazie mille ciao P.s. la mia e-mail è schi ..goto |
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| Trovo l'immagine estremamente italianizzante ed interessante. Claudio Schirinzi ..goto | |
| BIg horse in a invisible space. Wonderful colours. Schirinzi Claudio ..goto | |
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Dear Paul,your pictures seem to be installed in a real big Art Gallery, like when i was in Brixton A:Galleri in Sout London in 1983. Congratulation, anyway. ..goto |
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| complimenti per la suadente atmosfera che aleggia nell'immagine,very soft.claudio schirinzi ..goto | |
| colori vividi in una trance psichedelica tuta giocata sulla fluidità. claudio schirinzi ..goto | |
| incredible,only very few people to look at your astonish worksThe taste are so strange,la gente a volte a la maschera davanti agli occhi!Congratulations ..goto | |
| Caro Luca mi pioacciono i tuoi lavori per come assembli i maateriali di arte povera che la fai divenire arte ricca. Claudio ..goto | |
| Ciao Ignazio, un bell'esempiodi neo futurismo ai colori caramellati soft. Mi emoziona la freschezza dell'esecuzione. A cosa pensi quando li realizzi?. Claudio ..goto | |
| Ciao Lorenzo esistono ancora i grandi! Ti mandero' un commento al più presto. Ciao Claudio ..goto | |
| A volte servono le immagini come le tue chiare e riflettive di come è fatta la nostra realtà, la dipingo in ugual maniera essendo anch'io un ex illustratorepubblicitario ..goto | |
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Jacques Montel |
Thank Anne! I do like your comment. Makes me look at the work in a new way...hm. Thanks again. ..goto |
| My process is quick and intuitive. My hands work closely with my materials, pulling out the gestures, forms and textures that long to be released from the paper or canvas. For an extended period of ..goto | |
| My process is quick and intuitive. My hands work closely with my materials, pulling out the gestures, forms and textures that long to be released from the paper or canvas. For an extended period of ..goto | |
| My process is quick and intuitive. My hands work closely with my materials, pulling out the gestures, forms and textures that long to be released from the paper or canvas. For an extended period of ..goto | |
| My process is quick and intuitive. My hands work closely with my materials, pulling out the gestures, forms and textures that long to be released from the paper or canvas. For an extended period of ..goto | |
| My process is quick and intuitive. My hands work closely with my materials, pulling out the gestures, forms and textures that long to be released from the paper or canvas. For an extended period of ..goto | |
| My process is quick and intuitive. My hands work closely with my materials, pulling out the gestures, forms and textures that long to be released from the paper or canvas. For an extended period of ..goto | |
| My process is quick and intuitive. My hands work closely with my materials, pulling out the gestures, forms and textures that long to be released from the paper or canvas. For an extended period of ..goto | |
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Hi John I was watching your website and i love your work on paper. There is something similar with my work in a way and i dont really know what it is. A feeling,a combination of what you see a ..goto |
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Great! So magic!! Whats in the dark? Good work as usual Federico. ..goto |
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| Hyesoo.....Great work, i am waiting to see more of your work you do right now. ..goto | |
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Nù Metra |
beautiful work ..goto |
| very beautiful works ..goto | |
| eautiful ..goto | |
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| I really like your style ..goto | |
| very beautiful ..goto | |
| marvellous ..goto | |
| Your works are intense and fantastic ..goto | |
| beautifull ..goto | |
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teresa a mills |
hi hillel, love your work here, i find it realistic ina kind of slightly hallucinatory way..in other words more real than real! i find something of francis bacon in your work,but i mean that in a posi ..goto |
| love your style. .and this painting..sums up the beauty of love lost..better to have loved and lost than to have never loved! ..goto | |
| thank Hillel for your comments. yes kafka metamorphosis was an inspiration to me also cronenbergs naked lunch ..goto | |
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| I love your lampladies! ..goto | |
| hi mariusz, love your fragmented figures, these two especially and the way they appear disjointed, pieced together using opposing materials. ..goto | |
| hi John-paul. when I first saw these works of yours I thought they were made of rubber! they have that sheen or finish to them. I still cant seem to get that out o my head even though I realise now th ..goto | |
| I love these little beds too! and yes i agree with Hanjo,their fragility reminds of the fragility of the human in such places as hospitals ..goto | |
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Lothar Neumann |
bellissimo auguriiii ..goto |
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wonderfull... its one of my favorites... ..goto |
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| a good artwork i like it ..goto | |
| hallo Claudia i like this artwork.. its v. good... ..goto | |
| ...good... ..goto | |
| a good artwork... ..goto | |
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Hallo John- i like your works very much. Thanks for nice comment- you're gentle... greetings ..goto |
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| wow ..goto | |
| I like this artwork.... ..goto | |
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florio pozza |
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| Between material and spiritual... ..goto | |
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| Peacefull,delicate... ..goto | |
| colori in armonia con forza ..goto | |
| strong,ironical and very smart! ..goto | |
| Una meraviglia ! ..goto | |
| AVVOLGENTE, LUMINOSO... ..goto | |
| UN GIOIELLO, ESSENZIALE, ONIRICO. ..goto | |
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Mirek Antoniewicz |
hello, thank you very much for opinion. I think about mu childhood very symbolically . And I like words L.Bourgeois "My childhood never lost its magic, never lost its mystery and never lost its drama" ..goto |
| Hillel, Your estimate is very important for me becouse as you are good and mature painter. I know your creation and I respect your expression. My english is most simple soo... sometime would meet (fac ..goto | |
| John – Paul, thank you for nice words too. My photo /on Town Place in 1959/ is inspiration for my pictures. After 50 years living memory is back rear /see example Amarcord Federico F./ and my cycle o ..goto | |
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Dear Maria, thank you very much for your attention ... ...sorry for my long respond ... Yes, I'm after three independent individual exhibition ... 17 September - Museum in Usti nad Or ..goto |
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My generale reflection: yes I'm happy...because I'm 70 % paralised after crash on motocycle and all moments my contact with my public and moments of showing my pictures is my holly days. ..goto |
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| hallo Hillel, I feel every time your painting ... thank you ..goto | |
| Thanks for nice words and finish please. For the first time is these photo and have spoken about wheelchair. I think It's good theme for wizards :) ..goto | |
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I'm inviting to see few impression http://www.youtube.com/watch?v=ZmDeqT0-giA ..goto |
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Nikoletta Delasouda |
Thanks dear Karen!!!!! But is 49% to me and 51% to Hanjo!!! The best part in this photo (if you want my opinion) is the gaze!!! ..goto |
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Thanks dear Karen!!!!! But is 49% to me and 51% to Hanjo!!! The best part in this photo (if you want my opinion) is the gaze!!! ..goto |
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| einai teleio!!!!! ..goto | |
| Dear Hanjo,I said ''It is perfect'', thanks for your nice words ..goto | |
| twra ton blepw kai mou aresei polu!!! ..goto | |
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ok dear Hanjo,I will do it!!!see you soon on Syros!! kisses ..goto |
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| I love it!!! ..goto | |
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Maria...Maria...I know her???? Hanjo do you like my BIG friend??? I love it!!! ..goto |
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. hilary |
thank you Kazuaki... the black is where he lives, the red is the pain i live in... sometimes i think i could go there... but my paintings won't let me go... ..goto |
| john-paul, it has been eleven months since my boyfriend left, but i know he's still near... and your mother is still with you... ..goto | |
| john paul, egon schiele is my favorite painter... it think he's amazing... have you seen the work of paul kerr? he's an irish artist who has some works in the apollo gallery in dublin... those are my ..goto | |
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i like the way the horse`s gold shoes are echoed in the girl`s pink shoe lovely work really makes you think of scale and size hilary ..goto |
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i love this piece, i feel like i`m swaying back and forth, sometimes catching a clear view, when other times the details are lost to me... nice shapes and flow too... yes i like it |
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I think this is a great work, i love it , perfect, ..goto |
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| i like this one, the colours are great ..goto | |
| i have put a link to your website on my website because i think your art is amazing and beautiful ..goto | |
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Doug Kinsey |
striking piece! ..goto |
| your space expands! ..goto | |
| good to see such a strong painter her Lothar! ..goto | |
| smolders in magic like a summer dream ..goto | |
| recently saw your work featured on absolutearts Thomas. It's a pleasure to see your sensitive images here! ..goto | |
| your space is so open. quite compelling with a strong sense of invitation! ..goto | |
| long live the bull. ..goto | |
| very subtle...speaks of elegnace ..goto | |
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Claudia Vianello |
It's dynamic! ..goto |
| I really like your Art, Lothar! ..goto | |
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nice idea! wonderful artwork, unfortunatelly the next day the walls were repainted white, but that's what contemporary art is all about: impermanence. ..goto |
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mi piace molto, Gianpiero! la composizione nel totale: le forme e la luce. ..goto |
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Karen, you're brave and I would like to tell you that's so nice to see a woman painting men - there is an overdose of images of women in our society. ..goto |
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It's very nice to see your work on the real size. Wowsome! ..goto |
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TITUS AGBARA |
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| when i viewed your portfolio, i fell in love with your drawings. good ..goto | |
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I must give kudos to you for a selfless service to the artworld, thank you. Art is a universal visual language, never the less of its diverse clasification, i see it as an "individualistic tendenc ..goto |
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| good draftmanship, from the eye one can tell the mood and feeling of the unseen body. like to see more of your works ..goto | |
| i went throught your portfolio and i smile, thanks for the joy your works reflect on me. would i say its a stylisation, but the foreshortening and draftmanship intrigue me most. ..goto | |
| Baba Olex, good to see your works and am impress, keep on keeping it up ..goto | |
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anka bajurin |
grazie ..goto |
| I have allready made a step beyond. This little stones are just the first part of my exhibition "Killing loop". You can see it on web site http://free-du.hinet.hr/ankabajurin . Do you have some partic ..goto | |
| I have seen some of her paintings now(I'm not familiar with her work). My other paintings, exsposed and not exsposed, are making very different path in the art from hers. But I see what you mean. ..goto | |
| Your view is a little bit dadaistic (pesimistic view on a life after the war that have took place in the art), but my paintings are more surrealistic (optimistic view). ..goto | |
| Killing loop is a part of the nature, don't see anything pesimistic. And if we speak in art terms this element here, called "Killing loop" is a surrealistic element. It would be better if you look fir ..goto | |
| Thank you! Well, it has a big history of it's beginnings. It has developed from one whole exhibition that I have practically throw away becouse I wasn't satisfied with it. But whole another exhibition ..goto | |
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lisa cigolini |
bi_det... una mente diversa dalle altre, inattaccabile. Lo stupore ormai è raro, per pochi, ma tu invece lo regali a tanti ..goto |
| Thanks for your magical style ..goto | |
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good idea! ..goto |
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| A very interesting installation. Good idea! Thanks ..goto | |
| bellissimo il taglio, bella l'atmosfera e il gioco di luci. ..goto | |
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Bene, allora aspetto di vedere quanto prima altre tue opere di questa serie o "progetto". l'attesa... ..goto |
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eliZabeth Frolet |
I find your work in one of the best in the list. Love the strong shapes, with material and primitive colours.Old and new at the same time! Where do you work? Rome or Sicily? ..goto |
| I love the work with linen, material! Very attractive, design like, strong. ..goto | |
| I like this work, allusive strong and tormented. One the few human figures in your work! ..goto | |
| Gooh homage to Guston, an artist I love! I don't know but it gives a prretty good idea of his spirit! ..goto | |
| Love the drawing! and the message! ..goto | |
| I am curious to see the real work. I think P.Guston is a great inspiration, because of his apparent simplicity and his real strength. If you are interested you can come over and see my show next sunda ..goto | |
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jb krost |
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these are all great!! this one is my favorite ..goto |
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love it jb ..goto |
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great jb ..goto |
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I found you on a link somewhere....the work is second to none, you give us all something to aspire too jb ..goto |
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francine, these are wouderful, you can alomst feel the softness of her skin......I love all of these jb ..goto |
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MOSES OGHAGBON |
THANK GOD FOR ART..... ..goto |
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| hi titus, keep it up. ..goto | |
| good one. ..goto | |
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Hi, special invitation by the artist to view www.oghagbonmoses.com We sale arts and pictures. Thanks and happy viewing. OGHAGBON.E.MOSES ..goto |
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Hi, special invitation by the artist to view www.oghagbonmoses.com We sale arts and pictures. Thanks and happy viewing. OGHAGBON.E.MOSES ..goto |
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antonio sammartano |
complimenti per il tuo lavoro. molto interessante. ..goto |
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Ciao Joanna complimenti per le tue opere, le trovo molto interessanti.ciao ..goto |
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| Hello yong,Interesting work! Compliments ..goto | |
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Ciao Maria, complimenti questo lavoro mi piace molto.Non so perchè ma mi fa ricordare una poesia (?) di Luca Maria Antonini. NOI noi siamo fatti per metà di quello che siamo e per ..goto |
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| Ciao Mario, quando ho appreso che non eri più tra noi, una grande tristezza mi ha avvolto ed addolorato, ma sono sicuro che il tuo spirito e la tua energia incredibile faranno da insegnamento a tutti ..goto | |
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Hello yoon,I like your work. best. ant ..goto |
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XXS XXS |
Thanks for your comment and sorry that I have not answered before. I have had a lot of things to do and little time to do them. Unfortunately the communication in English takes me some time, something ..goto |
| I can only say thank you, thank you very much for the effort you made to comment my work, even more because you took the task to translate it into Spanish. It’s really nice, although it is not necessa ..goto | |
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I totally agree with you. In fact, Lord Chandos's disease has been my own illness. It's the old pyrrhonic ἀφασία. When I had read your comment I have remembered a wonderful little text, “The ..goto |
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Beautiful words. Thank you very much. I just hope my painting will match your words. I have found that most people engaged in this work are extremely perfectionist. When we finished a paint ..goto |
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I'm so glad that you have broken your vow of silence, especially because although some of us are silent, we like to listen. The other day I read a few words of Richter I would like to share ..goto |
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I apologize for making use of philosophical words –I see that nothing, as cryptic as it might be, escapes the Abbot. Long time ago philosophers also warmed my mind and I had to use hot water ... t ..goto |
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Stelios Argiros |
I think this is the strongest piece for as far as the portraits go. Very haunting. Reminds me of Luc Tuymans whom you must or should know. That highlight on the cheek balances out that type black corn ..goto |
| The vegetation reminds me of coral. Very strange. ..goto | |
| Nice painting ..goto | |
| Very nice ..goto | |
| I would love to blow them up to 200cm but my current art studio is too small. I'm working on getting bigger space. Actually I'm from Kerkyra. The satellite island of Othoni is the island my parents ar ..goto | |
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Alida Bertinotti |
complimenti Ana le tue opere sono molto belle, colori caldi e soft. ..goto |
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omega, bellissimo, carico di forza espressiva. Ciao a presto, Alida! ..goto |
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colore e vita, senza fine , ricca di risorse e di amarezze, libera di muoversi. ..goto |
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| I colori sono vita, forza espressiva, il tuo respiro! ..goto | |
| ciao John, questa tua opera mi piace molto! D'impatto, i contrasti dei colori e questo movimento circolare!! ..A presto Alida ..goto | |
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bruno capestrani |
ciao, forse in questo sito puoi dirmi più chiaramente quello che vuoi dirmi. Io non capisco bene l'inglese, quindi puoi crivermelo nuovamente su artprocess.net??? Le tue opere sono molto nuove ..goto |
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questo mi èiace molto,specialmentenei colori. ...come mai non rispondi al mio nessaggio??? ..goto |
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| scusa, ma questa non è arte ..goto | |
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Probabilmente avete anbedue la coda di paglia. Comunque sia non ho tenuto presente che stavo criticando persone che sono molto suscettibili e non amano essere criticate. Ma care, le critiche nell ..goto |
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se invece di dirti- questa non è arte- sei piu' contenta se ti dico non sai ancora disegnare? consolati, non sei la sola tantomeno puoi prenderla come offesa, è umanoin ogni caso se non saidisegna ..goto |
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roberta fallon |
hi john-paul, thanks for the comment. yes it was the smithson floating island pix you saw. we loved it and we love to go with out cameras and then share about what we've seen and about what we think ..goto |
| i like the way this just about marches off the wall. it's got some momentum that reaches out. i also like how hairy it is. at first i though it was cactus! ..goto | |
| that's excellent! I hope your real world exhibit comes together..meanwhile did you see I posted something about art process on artblog? here's the link ..goto | |
| oops, guess i can't put a link in. well just go to artblog and look at posts for 6/25/06 and you'll find it. ..goto | |
| Thanks, J-P and keep up the good work! ..goto | |
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fionntan fitzgerald |
very beautifil ..goto |
| another beauty with a nice sense of mystery ..goto | |
| great sense of light ..goto | |
| hi ya like this a lot likr your direction brilliant colours ..goto | |
| hi ya like this a lot likr your direction brilliant colours ..goto | |
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Tom Fitzgerald |
Thanks for your interest, John-Paul. I've just joined Art Process (a brilliant site-congratulations) and I'm cross-eyed from manipulating images down to the right size and all that Photoshop stuff ..goto |
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Its always interesting to hear another person's take on your work - thanks for that, John-Paul. This piece is not really a description of my inner self though. It has t ..goto |
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I haven't detected too much angst in the Art Process community or have I been reading the wrong comments? I'll upload some more optomistic images shortly to raise your spirits, John-Paul. ..goto |
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Well, Maria and JP, I suppose when we comment on another artist's work, we need to be critical but supportive. We are, after all, responding to an image on a PC screen, not the real thing. Spe ..goto |
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| I looked at Teresa A Mills' work, Maria, and found it very intriguing.As a sculptor myself,I particularly liked her ability to incorporate a wide range of materials and found objects into the work.Its ..goto | |
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Margie Glass |
I find it involving...something to wander into...and look around. ..goto |
| I see anguish....why I'm not sure--- ..goto | |
| The colors move me...the work interests me ..goto | |
| the shapes and colors intrigue me--would like to see some MORE ..goto | |
| surely to see and hear---looks GOOD ..goto | |
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scabs hamilton |
this is very dark and inspiring. ..goto |
| this is so beautiful. i could just sit and look at it for hours; it simply me feel happy. what exactly was used on this? great job! ..goto | |
| THIS CAUGHT MY EYE FOR ITS APPARENT RORSCHACH-ESQUE QUALITY. I KEEP SEEING BUTTERFLIES. GREAT WORK! ..goto | |
| i really enjoy this because it captures an emotion. it seems like a lot of artists are too technically concerned that there isnt a lot of facial emotion showing on works. you got this one just right! ..goto | |
| I REALLY LIKE THE VUNERABLE POSITION HE IS IN. ITS RARE FOR AN OLDER, PRESUMABLY DIGNIFIED, PERSON TO BE PUT IN POSITIONS LIKE THIS. I FEEL IT ADDS A LOT TO THE FEELING AND WHAT HIS FACE MAY BE SAYING ..goto | |
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Patrick Higgins |
Maria Thank you for the compliment I was delighted.I have been meaning to respond to you for a while and I apologize for not doing so sooner. This is a very good pose.I like the cons ..goto |
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Hillel Man, you've got sure a consistent outpouring of material in terms of discussions and and critiques. I really enjoy reading them.By the way, I very much enjoy these images of the grappl ..goto |
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John-Paul Thank you very much for your comments on my work.You've left about the most considerate/considered observations that I've had on my stuff since starting up this little on-line prese ..goto |
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Arnold Thanks for the feedback.I think this image is the most interesting one I've seen of yours.The combination of elements and their relative scale is interesting and off-putting.The circul ..goto |
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Karen I've of coarse been looking at your images on this site a fair bit since I've arrived as you have one of the strongest voices as a figurative painter here. Your boldness with color use ..goto |
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Tony Mac Cárthaigh |
CRUDO...O its CRUDe alright and all so daring but Mr.Duchamp beat you to it did'nt he ?. His urinal was'nt laughed out of town and even though the emperor had no clothes folks just put the i before co ..goto |
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| the depth and scale of this appeal to me. ..goto | |
| Hello you two...i'm still in the room. Yes i have a scattergun approach to image making and half the time don't know what i'm at. For most creatives taking on board criticism is the last thing they wa ..goto | |
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eli McBett |
Still from vIdeo Murphy work in progress ..goto |
| Hi Corbett, I get time now to say hallo where our only conversation out of the pizzeria's toilet door was not that interesting and I also didn't pick up your name there... at least I may see you here ..goto | |
| hanjo, there was something hidden there that I thought could be said in what I think is my frustration with painting, and it relates to the background in which your bodies pulse. This may give an n ab ..goto | |
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The conclusion - oct 2006 - of a period so different but, I guess, so close. A video to be seen, where possible. Something close. Internal though. Heart, and brain, and all the body passin ..goto |
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Guardavo il tuo quaderno in questi giorni sul mio scaffale. Mi chiedevo perché non fosse ancora finito come tutti i miei libri e tutto il resto dentro le scatole bianche del mio imminente trasloco. |
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Luigi Selmi |
what is the hallucination, being at work or in a mountain? ..goto |
| "Nothing to say" is a perfect title. Often we do not have words. ..goto | |
| An image is worth 1000 words ..goto | |
| This shows how is important what we know about things as said Gombrich. I didn't realize the subject is a woman before reading that the picture was taken in Mali. ..goto | |
| Escaping from a murderer ? ;) ..goto | |
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massimo alfano |
molto bello complimentiii!! mi emoziona questo quadro!! ..goto |
| è davvero un iniziativa bellissima!!! anche questo quadro mi piace molto! ..goto | |
| stupendo questoo! complimenti! ..goto | |
| che belloo! complimenti!..è proprio vera la cosa sugi occhi ..goto | |
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Sheila Brown |
Really like this, Martina. A real 'teenage feeing. Great facial expression. ..goto |
| I love this work. Congratulations Mauro! From an Irish admirer! ..goto | |
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| Thank you for your comment, Hanjo.I am really interested in what you say. It is fascinating that this is one of the first that I did with knives, and of the wild flowers. It seems to have a spontaneit ..goto | |
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Eva K |
It seems to me that an old person touches a photo of his child(maybe it's gone).There's a nostalgic and lonely feeling at the part of the hand... ..goto |
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I'm your student(αλλά σας μίλησα στα άγγλικά για να καταλαβαίνο� ν κι οι άλλοι) ..goto |
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| That was my purpose. ..goto | |
| He is ready to breathe and seems exchausted after swimming(!) let's say.But maybe I take too far what I thought at first. ..goto | |
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Aine Scannell |
On first seeing this work it did make me wonder what it was/is about. Its intrigueing. I would imagine that to methis kind of drawing is probably more interesting than the finished piece. ..goto |
| Antonio why don't you write something about your work. I would like to know what motivates you to make paintings of these for example supermarket trolleys? We could then translate it through babelfi ..goto | |
| I like this one the most from your 5 pieces you have here online at the moment. I like the double opposing profiled figurative form. Perhaps also, because it's the least 'busy' and I think that all ..goto | |
| Michela - wow this is brave work -very intrigueing.....well done. I look forward to seeing more of your artwork ..goto | |
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Michele Shelton |
Hillel - as a new member to Art Process, your work is one of the reasons I joined.I find your work lively, expressive, and full of passion. I find faces of interest as well, and I'm especially found o ..goto |
| such expression...fantastic. ..goto | |
| A most interesting process and birthing of collage...would enjoy learning more. Does your work spontaneously evolve, or is it created through a series of preliminary sketches? ..goto | |
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Jean Paul, Apparently, I cannot walk away for a few minutes without the comment board erasing my comments. Okay, this means I must settle down and reply without any interruption.I wanted to t ..goto |
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Jan Willem Versteeg |
Pittura meravigliosa,,Impressive gallery ..goto |
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Impressive drawing ..goto |
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Wonderful dynamic painting,, (Impressive Gallery) ..goto |
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| Impressive painting,, very nice brushwork,, Excellent Artistic ..goto | |
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enza voglio |
molto bello! ..goto |
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| is magic! ..goto | |
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emanuela bartolotti |
http://www.emanuelabartolotti.it/PhotoBox_01.html :) ..goto |
| Bellissima! ..goto | |
| :)...bella bella ..goto | |
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Aviva Beigel |
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Italo Buttazzo |
Buonasera, anche io sono un'artista come te trovo i tuoi quadri molto interessanti.. Il grande Battiato è un soggetto stupendo! complimenti Italo buttazzo ..goto |
| bello complimenti!!! ..goto | |
| bello complimenti!!! ..goto | |
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Elisa Cella |
Ciao! Avevo visto i tuoi quadri da Florilegio, erano ancora lì quando ho montato. Mi piace molto il tuo lavoro. Lo trovo molto simile ad una lama che affonda... ..goto |
| complimenti! Mi piace molto il tuo lavoro, non vedo l'ora di vederlo dal vivo. A Trapani! ..goto | |
| Benvenuta!!! belli questi pezzi, questo in particolare. ..goto | |
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Cayle Chernin |
I am familiar with Hillel Kagan's work and I think he is one of the great artists of his time, which is this time. ..goto |
| Hillel, I love what you say "afterall it's not life it's paint" - as an actor I am constantly horrified by reality programming..Lee Strasberg said: it's not about being natural, it's 'naturalism' tha ..goto | |
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giovanna colomba |
Hello. I would like your comments on my sculptures. I admire your work very Visit my studio log giovanna colomba ..goto |
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Hello. I would like your comments on my sculptures. I admire your work Visit my studio log. giovanna colomba ..goto |
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| Your paintings are fantastic ...giovanna colomba ..goto | |
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Olga Dmytrenko |
I love your works very much. Wonderful colors. Great abstraction. ..goto |
| Fantastic! ..goto | |
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Hey, Marc! I am smiling! Always my pleasure to meet you in cyber space! Actually I forgot that I have some works here - I don't keep a track where I am in virtually, so it's great you are "st ..goto |
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Devoti Giuseppe |
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Kristina Lycke |
"Many years ago, I climbed the mountains, even thought it is forbidden. Things are not as they teach us; the world is hollow, and I have touched the sky." From a dying Star Trek character. ..goto |
| che bello - this reminds me of some places ..goto | |
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Grazie Luigi per il commento. . . .. understanding of words, their associated meanings, and their power to influence and control the human psyche would one day become an important obsession for B ..goto |
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Sandra Miranda Pattin |
hi teresa, thanks for your comment on my work, i checked out your, looks very strong i specifically like the scenography you have placed them. ..goto |
| very nice thomas, it has great qualities of a good painting and all the aesthetic of extremely contemporary work... ..goto | |
| è questo il momento del grande salto... e non ti sei più fermato ..goto | |
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Fadwa O |
Thank you so very much J.P. for your comment. You are in fact the first to comment on my artwork! Thank you! ..goto |
| After seeing your work almost walk out of the screen I have complete respect for your point of view! Absolutely stunning work. As I mentioned art is self expression so some people try to hard to expre ..goto | |
| Incredible texture, so life like... I can almost expect the legs to move! ..goto | |
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michael oberlik |
I know some of the works of Jazz and I have to say I find them very intense and very beautiful - I think I should put a link on my website! ..goto |
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I visited your website: great work! what I like especially, is the idea behind the pictures! michael oberlik ..goto |
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sasha pridmore-franz |
looks practically like a photograph! I have a hard time finding the telltale pixel break. ..goto |
| crazy techniq & beauty.full ..goto | |
| is it a scene from a fritz lang movie? ..goto | |
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Kazuaki Sato |
確かに絵の背景に何か悲しげなものが感じられました。それはきっと愛する人が遠くに行ってしまったことによるものなのでしょう。 ..goto |
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dear john-paul, thanks for your nice comments. if fact, i painted an ancient japanese pot. but, in my imagination, the pot broght back the image of the ancient japanese woman who used to use the p ..goto |
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| 赤と黒の対比が印象的です。 ..goto | |
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bayo solarin |
Great work T. Enjoying it!!! ..goto |
| Yet another beautiful work. Captures lagos in all it's crazy technicolour.. ..goto | |
| Haven't seen it yet but soon come... ..goto | |
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hilde soliani |
mi piace il mare ,tuffarminelle sue acque blu profonde come la mia nima l ma sono uno spirito libero che fugge con classe come la mia daisy ..goto |
| la gioia e la freschezza innocenza di un bambino espressa in questa opera realizzata come se fosse una torta golosissima preparata con tanta panna m ain realtà sono cinque fiori che significano ti am ..goto | |
| sempre la mia daisy oggi espressa con la fantasia di un sommelier..i cromatismi sono ottenuti dalla follia delle bollicine di un buon vino ..goto | |
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David Szafranski |
These objects have such a nice textural look, plus the added bonus of being casted from found objects and materials. Very nice work. ..goto |
| Interesting, a rag rug made from plastic bags and other plastic refuse. I like the rough hand-made quality. ..goto | |
| I really enjoy these hyper sterile airport environments, sans people. They are all slick and polished with shiny surfaces, much like hyper-realist painter Ralph Goings. These spaces, airport terminals ..goto | |
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Salvatore Tomaselli |
Trovo i tuoi lavori molto interessanti .Tanto interesse per la violenza e l orrido dietro tanta eleganza pittorica.Mi auguro che conosca un pò di italiano.Buon Natale. ..goto |
| Molto primordiale.....bello. ..goto | |
| mi piace l antico con qualcosa di medioevale... ..goto | |
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digirolamo tore |
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| la competizione pittorica in estemporanea è bellissima ..goto | |
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claudio verdoni |
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| mollto bello ..goto | |
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angela viola |
...I like it... ..goto |
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Ciao...abbiamo in comune la Galleria Florilegio. Mi piace in particolare questo lavoro... ..goto |
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| Questo è il migliore, secondo me... ..goto | |
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mimi yoon |
i'm a big fan, yong-man C ! ..goto |
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hey, you~ i'm here~ haven't seen this one... nice! ..goto |
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your art is amazing... very much alive... thank you for your comment~ ..goto |
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Ana Zanic |
John-Paul, thank you for your comment. It is always nice to get feedback from fellow artists. ..goto |
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Very organic, but organized at the same time. I like the richness they posses in spite of their simplicity. I find your work in a close association with the Art Informel. ..goto |
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Hi Andy. Your colors are amazing! Such a wonderful use of color! I like the blurry atmosphere where you have this almost impressionistic depiction of landscape that borders with pure abstraction. ..goto |
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kawthar zatar |
nice, i like it ..goto |
| very beautiful work ..goto | |
| nice colors ..goto | |
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Tom Assini |
Awesome! ..goto |
| Love it! ..goto | |
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John Berry |
For quite some time, yes. Partly because I really don't know where the piece"came from" - I still learn from it. The largest piece I've done was 1.4 x 1.5 meters. It was a battle for sure. But the ..goto |
| Yes, I totally see the similarities. I very much love your work. There is a palpable sense of improvisation and tension in these forms. Great work. ..goto | |
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carla biacca |
hi, I apreciate the mouvement that you give at figures apparently statics. thank you ..goto |
| wow, ...e se tocchi un cavo si muovono tutti gli altri... che dici, si va avanti?....grazie ..goto | |
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Alejandro Cabeza |
Tienes Razón Karen, la verdad es que os observo desde lejos, y no me entero muy bien de la polémica suscitada sobre mi obra, y mas (en otro idioma) en cualquier caso la experiencia me ha enseñado que ..goto |
| Aqui hay mas de uno que le gusrtaria ser lucian freud ..goto | |
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piera campo |
ciao antonio, ci sono anche io, adesso, vorrei contattarti presto per un possibile scambio olanda sicilia. dopo febbraio, che ne dici? ..goto |
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thanx for the support. appreciate it a lot. keep in contact piera ..goto |
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Claus Costa |
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I loved his art, beautiful work. ..goto |
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david dalessandro |
Thank you John-Paul. I'm inspired by Fra Angelico, Rogier van der Weyden, Hans Memling, Persian minature painting, chinese painting, Piero di Cosimo, Uccello, Unicorn tapestries, early Al Held, and ea ..goto |
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There is a great show of Fra Angelico at the Met right now--just amazing! What makes a great painting is nothing complicated. To me, painting should have a connection to elements in our life. Sha ..goto |
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Derek Des Islets |
hey man, this looks like some of the stuff that i do, the unknowns of life, i know how they are the cosmos and such, i am happy to see this, im more into the bright colors dig it lets talk ..goto |
| Maria, your stare captivates me ..goto | |
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Robert-Willem Dol |
Robert, You R an Artist Star. What a portfolio on Saatchi Gallery!! When is you're exhibit in London? I really interested in seeing some of you're powerfull, energetic works (and buy something!!!) Jos ..goto |
| Robert-W, devastating work you show off! Colours, lines, style; it's really original. Composisition is strong, challenging. Attract, affects me. I'm a fan. Brian. Lancaster. ..goto | |
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Marc Doutherd |
Well Like always Im here and so are you. As Always your work is stunning.One of these days Im gonna have to stop stalking you!(hahaha) ..goto |
| This is also very Impressive! ..goto | |
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Shefqet Avdush Emini |
Thank you for your kindly reactions. Hello Abby It's great when people like my work. ..goto |
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I like your painting very much, it's refreshing and I like the colour, form and imagination. Best regards ..goto |
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Petra (Pyro) Engelhardt |
I don't know why but I promise you a great carrier - if this really happens think of me if I am still on this planet - REALLY GOOD ARTWORK _ ..goto |
| ups ..goto | |
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ezunfela ezunfela |
wow! ..goto |
| che bel segno ..goto | |
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fabrizio ferrari |
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| Cara Kristina, complimenti, mi piace questa visiomne sfuocata e in movimento della vita, è quello che io cerco di ottenere con la mia pittura. ..goto | |
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elenashirin ferrario scacchi |
meraviglioso, elenashirin ..goto |
| complimenti mirek! elenashirin ..goto | |
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Tommaso Garavini |
hi JP, thanks again!!! Here is the picture... ..goto |
| I painted it at home, but it is made out of 5 panels (you can slightly see it in this picture). i was really afraid people could get frightened, but everybody remains stoked instead ... I really wish ..goto | |
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Pino Genovese |
..goto |
| interessantissime queste forme e soprattutto il modo fotografico di esporle così a carattere scientifico. io sto lavorando a un "erbario grafico" con la fotografia e l'elaborazione in photoshop. un s ..goto | |
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russell haworth |
dipalles work is like a breath of fresh air. You can almost see her soul in her work ..goto |
| I love the way the colours almost feel as if they are made from fire itself ..goto | |
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Panayiotis Kaloudis |
pisteuw oti autos o pinakas einai enas apo ta kalytera pou exeis edw mou aresei to sxedio sou ,exeis tin ikanotita na pernas apo to fws sti skia me anesi,mou aresei para polu ,episis mou aresei to pai ..goto |
| friend my [kalispera] you I thank for good your lettered above in my work the stimuli I pass him from the nature, [kyriosapo] air the sea and from various fruits, [kathos] [episeis] I watch the tobacc ..goto | |
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Zoltan Kato |
Dear Mimi! I'm impressed with your line drawings... you really have a gidft for this. All the best! ..goto |
| Hello Tom! This is the only photo which I like from your portfolio, but this I really like. This photo from one hand makes me goose skin, cause a bit of fear (is this a prison?), on the other hand re ..goto | |
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Rainer Landeck |
Hallo Hanjo, thank you for your comment. I´ve seen your pictures, too. And I can say: this is great art. I really would like to see your pictures once in the original. ..goto |
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Hallo Hillel, thank you for your nice comment on artprocess. I can´t say what it is. It is a detail from anythink. I don´t know what is was. For me it is not so importend. In this case it ..goto |
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Ritian Lee |
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Davis Lisboa |
Karen: Davis, enhorabuena por tu color, tu movimiento, tu libertad a la hora de crear formas, tu falta de miedo, nunca dejas de sorprenderme porque no dejas de experimentar. Davis: E ..goto |
| Karen, me gusta tu obra porque es honesta. ..goto | |
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vito maria mancuso |
ferma, ferma ferma, forse si perde di vista ke è solo uno schizzo, alla maniera di....Schiele, o ad alcune grafiche di Beardsley. Del resto il lavoro di Mimi Yoon presente nel portfolio, rivela acutez ..goto |
| Karen, questo ritratto di Maria è una meraviglia. ..goto | |
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Giuseppina Mangiapane |
So delicate as the dream of a light world ..goto |
| Fascinating ..goto | |
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Patricia Marcus Curtis |
I like your work Federico, especially the blurred color-themed landscapes. ..goto |
| You are able to make yourself understood so do not apologize. Your English is much better than my Italian - I can only order food, couldn't comment on your art in Italian. Where did you learn Engl ..goto | |
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Ayfer Mills |
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| Sibel, kapodokya calismalinin hepsini begendim,eline saglik.Baska varmi? digerlerini de gormek isterim. ..goto | |
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f n |
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| Muito bom...avante!! ..goto | |
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Ilona Niemi |
Hi Maria! Thanks very much for your kind words. I look forward to meeting you in Trapani, too. I'll check out your work just now... ..goto |
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Hi Maria! This is lovely! It has a beautiful light, and a gorgeous, watery feel. Do you like Marlene Dumas and/or Luc Tuymans? I really like their work; very painterly without flashy and empty ges ..goto |
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gary paller |
beautiful work, great greek color and movement. Very impressive - I'd like to see even more energy. ..goto |
| I like this one very much as well! The first two seem less realized. ..goto | |
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elli s. |
you master texture, light and size. there is absolutely nothing to add, except that i wish i could get anywhere near to what you achieve in terms of texture, light and size ... ..goto |
| thanks @ scabs. it was very easy on one hand: the drawing depicts my brother - and on the other hand it was quite a strange experience: while drawing i could both see my mother and my father. the real ..goto | |
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vijay sekhar |
Yes she looks happy about being a surviver. But i feel we cannot ignor that physical pain. i personally feel that if you could show the physical pain and also happyness of being the surviver.Just like ..goto |
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wow!!... i love this one!!... ..goto |
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rajiv sharma |
good work ..goto |
| nice expressions.. ..goto | |
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rock swanson |
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| very beautiful work ..goto | |
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maurizio tedesco zammarano |
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Erlinde Ufkes Stephanus |
Thanks for your compliments! I like to make humorous work... ..goto |
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Hé Rob! Nu zie ik je hier! Je vosje blijf ik prachtig vinden. Je was zomaar weg bij Exto Groet, Erlinde Ufkes Stephanus ..goto |
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eugen varzic |
Ok, something abou the San Greal! First of all I would like to tell that San Greal painting is stolen!! It happend on the exhibition in Pula ( CROATIA ).It was part of the group exhibition "Jo ..goto |
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Here I am!!My second child has been born two days ago!!!A boy, named Ego.Beautiful angel! About Paris...actually I didn't try to involve into art life in Paris.You need to spend a few years there ..goto |
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stereotypo Weisbarth Wahler Harmsen |
Catturato nella rete relazioni tra amicizia tedesca e italiana, cliché di relazioni di ostilitá tedesca e italiana una sinfonia di parole un' immagine di suoni un ambivalente ..goto |
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Trapani ArtProcess 2007 - Network - Lutz Wahler, Lars Harmsen, Elke Weisbarth Stereotypo Caught in the net – clichés and other entanglements from the sea of love and hate between German and I ..goto |
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TEREMOANA WILSON |
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| my two year old son noted that the half moon (the real one)he was looking at was 'broken'... for me this piece is broken by the moons presence, but otherwise i really like the blending of colours. ..goto | |
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renilde wouters |
deep,rich colours and very beautiful balanced,it really shines,I like it very much ..goto |
| Hello Maria,about your work in your studiolog,keep going,the colours you are using in this last work are reminding me somehow of the old flemish masters,and the figures don't stand on there own,there ..goto | |
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raquel yunta |
i think that your artwork has something special. i specially love "exposure". ..goto |
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great artwork!! ..goto |
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Anatolia ... |
Greatest one ..goto |
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nilgun akyol |
Shahmeran who most probably may be linked with the snake gods of Mesopotamia, being converted into female in connection with the mother-goddess cult, is a symbol of Anatolian mythology. Her story may ..goto |
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Ata Arif |
Simko is a good artist. He is painting out of his emotions and deep from his heart. He is a true reporter of a nation who have been killed and terrorised for hundereds of years, nobody hears their voi ..goto |
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krisztina asztalos |
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sunil baindur |
I just love this work ! Fantastic! Cheers! ..goto |
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simone barbieri |
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Antonio Bardino |
Roxy è troppo Brava Antonio Bardino ..goto |
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Florence Beal-Nenakwe |
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Harry Bella Fonte |
Am I mistaken or are these pieces edible? They look like they could have been baked in an oven, as if they refer to some past times of caring and nourishment.. ..goto |
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Claudinei Bettiol |
beautiful work... would love to see it in person. ..goto |
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S. Boogle |
Glad you like it. Without a smile every now and then where would we all be? ..goto |
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Elaine Bowe |
Ann, I painted this in Ireland. I was thinking about being homesick when I had travelled abroad and how much I used to miss the colours of the early morning Irish landscape. It relates to my emotiona ..goto |
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isabella branella |
questi dipinti ,realizzati per "Fiori di maggio" di Yzu , trovano spiegazione nel sito www.yzu-poiesis.org un caro saluto isabella ..goto |
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Felicity Breen |
Very beautiful work. Love your careful use of black against colour. ..goto |
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Linda Britt |
graphic! ..goto |
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jean Buyl |
Hi Aimee,behaps a few paintings ? ..goto |
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angelica cabias |
cool ..goto |
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Claudia Canali |
Semplicemente fantastico! ..goto |
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GINES CASADO |
Gracias por tu comentario Jan. ¨QUAY¨ es muy delicado,exquisito,gran trabajo. ..goto |
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Katrin Cassel |
Hi dinosaur, poes is the dutch word for cat. Have a look at my website www.casselweb.nl. You can rotate the painting there and maybe then you'll see the cat. ;-) ..goto |
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sunil chejara |
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Roger Cummiskey |
Morning JP. The incorporation of Oil abstract paintings at this time has been due to pressure from existing clients and a personal desire that has been suspended for about 4 years to increase the vari ..goto |
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Paolo Roberto D'Alia |
scusami se tin scrivo in italiano , ma il mio inclese e molto scadente, ma ci tenevovo ha criverti che questo tuo lavoro ma, ma in generele tutta la tua oproduzione la trovo geniale. ..goto |
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Antonio D'Antonio |
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kobe de peuter |
Please, check out my work at www.kobe.exto.org ..goto |
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MONTSE DÍAZ |
Hi Maria, I enjoy speaking with you again. I postulate myself, with your permission, the mascot of the "club of Madrid” which I attended since its foundation in the cafeteria of the Reina Sofia Museum ..goto |
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Giovanna Donnarumma |
Complimenti è stata la prima opera che mi ha colpito su questo sito!!!!...dire che mi piace è poco ..goto |
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Vasyl Dzhabraylov |
i like it very much. vasyl. ..goto |
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404 error |
devine doodle snappy boogle ..goto |
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Awesome Fackin |
Looks strangely familiar to me... Haven't we met before? Did we have a shower together? ..goto |
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paolo fantelli |
compliment ..goto |
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Beatrice Feo |
Grazie Massimo! a me questo fa impazzire!!! leggi il mio blog su equilibri d'arte c'è qualcosa che potrebbe interessarti! Baci Beatrice http://www.equilibriarte.org/beatricefeo/blog < ..goto |
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drinceanu gabriela |
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Werner Glinka |
John-Paul, Thank you for your comment. I like people to find within themselves what these pieces bring to them. Whether it is spiritual or purely aesthetic, if they find something to enjoy my work ..goto |
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Lina Golan |
Great works Karen. ..goto |
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Rosemary Golcher |
Hola Sandra !!! Yo he encontrado el arte Textil a traves de mis pinturas y veo que vos lo has encontrado a traves de la fotografia. Veo que vivis en Florecia, Italia, y yo ya he estado ahi en dos ocac ..goto |
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Bala Gopal |
I like these paintings and they've given me an idea on how to handel a brush while creating textures. even i do this kind of textures,but not upto u vijay. And i will put the stuff up on the site so ..goto |
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Hilda H |
hello my friend Kahiray .. thanks for inviting me here to discover this website.. i second my openion with John Paul its a strong painting and representing most of people feelings wich is the lost cit ..goto |
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maggie hargreaves |
You're right, this is the end of a series of explorations linked to the sea. I looked at corrosion of metal,monotypes , and eroding ice with salt on time lapse and other drawings. This is where it lea ..goto |
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zama interiors |
beautiful ..goto |
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christo jaworski |
excellent color line and balance i lik how the orange and blue contrast ..goto |
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Raymond Jordon |
I've never studied art so maybe I can't 'read into' a painting the way some people can but this painting to me is so good. It's eye-catching! I love it! ..goto |
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marianne katzman |
Thank you so much, Maria. I will post some more of my work. I have just visited your portfolio - your paintings are incredible. inspiring. ..goto |
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Elaine K. Bond |
Pondering over my feelings about your paintings, I think I understand why I've been so touched.It's about the naked body...The way you paint nudes...I've always been attracted by nudity either in a se ..goto |
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Bartosz Kolata |
I like his art but I was never inspired by it. Maybe we have got similar approach to reality ..goto |
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Johannes Kriesche |
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shailendra kumar |
nice work but ..goto |
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Yong-Man KWON |
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DARIO MANCO |
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Thierry MARIETTE |
very good ! ..goto |
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Vincenzolucio Mattaliano |
This is my best friend! My domestic animal. the best friend of man! The Goat! your name is baphomet. ..goto |
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Mauro Mauropittore |
la ribellione dell'arte di Mauro Di Girolamo ..goto |
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BIRUTE MEDZEVICIENE |
JUST MAGNIFICENT! ..goto |
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pera mika |
well done , ... the only thing i dont understand is the color of her shirt or jacket ... i think it is painted "too much" considering the smooth sound of other elements which are very "clean" or ..goto |
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Caoimhghin Ó Croidheáin |
Well, unfortunately, you have probably missed the best bit as it seems that we are slowly moving back to the tough times of the 80's! ..goto |
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olabode olaoluwa |
u neva seems 2 stop amazin me wt ur touch of colours, am realy, really proud of u, kudos man,tom up. ..goto |
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Aimee O'Neill |
Hi Jean, I worked with photography because I liked its directness. A painting becomes something else again-especially equestrian paintings. Contemporary Equestrian paintings reference a huge histo ..goto |
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lorenzo pacini |
Grazie, ne sono lusingato anche perchè è l'inizio di un nuovo progetto. ..goto |
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hyesoo park |
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Dipalle Parmar |
Hi Sheila, i love flowers and i think this is one of my favorite in recent times. I dont and cant use oils so those who can i think are gifted... I wonder if you made a visit to Rajasthan , India ..goto |
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Ruth Peche |
very interesting ..goto |
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Johannes Pfeiffer |
I like this one. So artiful that it seems a natural form. ..goto |
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Piriongo Piergiorgio Leonforte |
i love your style...enjoy!! ..goto |
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Gaetano Provenzale |
continuiamo a risvegliare il pianeta Carla, vai così. ..goto |
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Jorge Restrepo |
Excellentent Claudio!!! _Really expresionist! ..goto |
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Donald Ricker |
is that a woman and a fish in the aurora as seen from low orbit? ..goto |
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Matias ro |
Excelente obra ..goto |
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jan robson |
superb art love the contrasts you have created leads the eye around the art wonderfully ..goto |
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paul rouse |
Please upload a better picture ..goto |
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Arturo Safina |
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Sibel Sancar |
A remarkable position, away from cliches ..goto |
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Lique Schoot |
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VICTOR SOFRONOV |
The other artworks will be soon ..goto |
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Gemma Louise Swan |
why is it so pixelated? ..goto |
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Vera Tataro |
Hi, thank you for your message :) Your art is very great :) ..goto |
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Vinod V |
In times of modern art, and vibrant colours, it It is a treat to come across artists who are influenced by so-called "primitive" art...! The colours used, allows one to confront one's own earthly fili ..goto |
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claudio verdoni |
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Cesar Vivas |
It is a place tolay down my dreams. Thanks for let me rest Cesar ..goto |
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Andy Waite |
Well it rresonates with me - colour, mood - I like all your paintings but especially this one ..goto |
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Christopher Wood |
Dear John-Paul, Many thanks for taking the time to look through my new site. It's taken up all of my time for weeks now, so I'll be (extremely) glad to get back in the Studio on Monday morning - altho ..goto |
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yomobri yomobri |
I love the strength of this portrait. ..goto |
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Z Z |
The Invisible Force Field Experiments www.electronicsunset.org ..goto |